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Born in Jacksonville, FL |
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SOLO EXHIBITIONS
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| 2013 |
STrAY, Univeristy of Virginia Art Museum, Charlottesville, VA (forthcoming) |
| 2011 |
left, Sue Scott Gallery, New York, NY |
| 2010 |
Scratch, Shane Campbell Gallery, Chicago, IL |
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TOY, Galerie Andres Thalmann, Zurich, Switzerland [Catalogue] |
| 2009 |
Put Me in the Zoo, Sue Scott Gallery, New York, NY |
| 2007 |
STrAY, David Krut Projects New York, NY [catalogue] |
| 2005 |
SLIP, Larissa Goldston Gallery, New York, NY [catalogue] |
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Team Play Her, Shane Campbell Gallery, Chicago, IL |
| 2003 |
Suzanne McClelland: Drawings and Prints, KS Art, New York, NY |
| 2001 |
Enough Enough, Orlando Museum of Art, Orlando, FL |
| 2000 |
Out of Character, Paul Kasmin Gallery, New York, NY |
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Plot, Galerie Lutz and Thalmann, Zurich, Switzerland [catalogue] |
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Intersections and Interruptions, Locks Gallery, Philadelphia, PA |
| 1999 |
Correspondence, Lemberg Gallery, Birmingham, MI |
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Elsewhere, Baldwin Gallery, Aspen, CO |
| 1998 |
Mothertongues, Paul Kasmin Gallery, New York, NY |
| 1997 |
Suzanne McClelland, Weatherspoon Art Gallery, The University of North Carolina at Greensboro, Greensboro, NC [catalogue] |
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Tealeaves, LA Louver, Venice, CA |
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Suzanne McClelland, Galerie Lawrence Rubin, Zurich, Switzerland [catalogue] |
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Suzanne McClelland, Galerie Kyoko Chirathivat, Bangkok, Thailand [catalogue] |
| 1996 |
Babel, Paul Kasmin Gallery, New York, NY [catalogue] |
| 1995 |
Suzanne McClelland, Lemberg Gallery, Birmingham, MI |
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Suzanne McClelland, Texas Gallery, Houston, TX |
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Suzanne McClelland, Barbara Krakow Gallery, Boston, MA |
| 1994 |
Suzanne McClelland, Paul Kasmin Gallery, New York, NY |
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Suzanne McClelland, LA Louver, Venice, CA [catalogue] |
| 1993 |
Suzanne McClelland, 303 Gallery, New York, NY |
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Suzanne McClelland, Jason Rubell Gallery, Miami, FL |
| 1992 |
Suzanne McClelland-Painting, Whitney Museum of American Art at Philip Morris, New York, NY [catalogue] |
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Suzanne McClelland, Jason Rubell Gallery, Palm Beach, FL [catalogue] |
| 1991 |
Suzanne McClelland, Stephanie Theodore Gallery, New York, NY [catalogue] |
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GROUP EXHIBITIONS
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| 2012 |
Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY (forthcoming) |
| 2011 |
A Painting Show, organized by Laura Raicovich and Jesse Washburne-Harris, Harris Lieberman Gallery, New York, NY |
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Affinities, curated by Kate McNamara, D'Amelio Terras Gallery, New York, NY |
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Influentials, curated by Amy Smith Stewart with Carrie Lincourt, Visual Arts Gallery at SVA, New York, NY |
| 2010 |
Drawing, Shane Campbell Gallery, Chicago, IL |
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The Pipe and Flow, Espacio Minimo, curated by Omar Lopez-Chahoud, Madrid, Spain |
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Single Lady, A benefit for Afghan Women Leaders CONNECT, organized by Jenny Salomon, Kate Gilmore and Candice Madey, Brooklyn, NY |
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Third Thoughts, curated by Barry Schwabsky and Carol Szymanski, CCA Andratx, Mallorca, Spain |
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Give Me a Minute, The Shirey, Brooklyn, NY |
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A Reluctant Apparition, Sue Scott Gallery, New York, NY |
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Drawing Gifts, Drawing Center Benefit, New York, NY |
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Painting and Sculpture: Foundation for Contemporary Arts Benefit Exhibition, Lehmann Maupin, New York, NY |
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Summer 2010, Larissa Goldston Gallery, New York, NY |
| 2009 |
New Prints, 2009/Spring selected by Polly Apfelbaum, IPCNY, New York, NY |
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Pink Panther, curated by Amy Smith-Stewart, KUMUKUMU, New York, NY |
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Affinities:Painting in Abstraction, curated by Kate McNamara, RISD Museum, Providence, RI |
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SPECIALS on the High Line, curated by Lisa Sigal and Paul Ramirez Jonas, Highline, New York, NY |
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Landscape Revisited, curated by Dodie Kazanjian, Park Avenue Armory, New York, NY |
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What's Neu?: Recent Additions to the Neuberger Collection, Neuberger Museum of Art, Purchase College, Purchase, NY |
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Lover, curated by Kate Gilmore and Candice Madey, On Stellar Rays, New York, NY |
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Talk Dirty To Me..., Larissa Goldston Gallery, New York, NY |
| 2008 |
Legerdemain, Sue Scott Gallery, New York, NY |
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Stable Scrawl, Larissa Goldston Gallery, New York, NY |
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Grey, Dinter Fine Arts, New York, NY |
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Ithaca Collects, Johnson Museum of Art, Cornell University, Ithaca, NY |
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More Than Words, Von Lintel Gallery, New York, NY |
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Affinities:Painting in Abstraction, curated by Kate McNamara, Ramapo College of New Jersey, Mahwah, NJ |
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Under the Influence, curated by Francis Bishop Good, Jane Hart and Michelle Weinberg, Art and Cultural Center of Hollywood, Fort Lauderdale, FL |
| 2007 |
Drawing, Thinking, curated by Marco Breuer, Von Lintel Gallery, New York, NY |
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In the Viewing Room, curated by Lisa Sigal, Frederieke Taylor Gallery, New York, NY |
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Horizon, curated by David Humphrey, Elizabeth Foundation for the Arts, New York, NY |
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Affinities:Painting in Abstraction, curated by Kate McNamara, CCS Bard College, Annandale-on Hudson, NY |
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Sex in the City, curated by Dean Daderko and Marina Adams, Dumbo Arts Center, Brooklyn, NY |
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Post Dec-Beyond Pattern and Decoration, curated by Zina Davis, Joseloff Gallery, University of Hartford, West Hartford, CT |
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What F Word?, curated by Carol Cole Levin, Cynthia Broan Gallery, New York, NY |
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Katherine Bowling and Suzanne McClelland Unique Works on Paper, One Eye Pug, New York, NY |
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Mixed Signals, curated by Martina Batan, Ronald Feldman Fine Arts, New York, NY |
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ULAE-Celebrating Fifty Years with New Editions, Larissa Goldston Gallery, New York, NY |
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Group Show, Nina Freudenheim Gallery, Buffalo, NY |
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In Words: The Art of Language, curated by Lance Winn, University Museums, University of Delaware, Newark, DE |
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Hot Off the Press, curated by Janice Oresman, The Grolier Club, New York, NY |
| 2006 |
Works on Paper Benefit, Kentler International Drawing Space, Brooklyn, NY |
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Women in the Bedroom, Larissa Goldston Gallery, New York, NY |
| 2005 |
Counting the Ways: Word as Image, Fisher Landau Center for Art, Long Island City, NY |
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I'm a Child of Divorce Give Me A Break, Cynthia Broan Gallery, New York, NY |
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In Deep Water, Dinter Fine Art, New York, NY |
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Artists Pick, Larissa Goldston Gallery, New York, NY |
| 2004 |
Face Off, Ronald Feldman Fine Arts, New York, NY |
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Co-Conspirators: Artist and Collector, Orlando Museum of Art, Orlando FL and The Chelsea Museum of Art, New York, NY |
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Word of Mouth, Dinter Fine Art, New York, NY |
| 2003 |
Take Out, Dieu Donne Papermill, New York, NY |
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Ballpoint Inklings, KS Art, New York, NY |
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New Prints 2003/Winter, International Print Center New York, New York, NY |
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ULAE Prints, Robin Rule Gallery, Denver, CO |
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Tamarind: 40 Years, a traveling exhibition in conjunction with the Tamarind Institute, Albuquerque, NM; Toledo Museum of Art, Toledo, OH; Muskegon Museum of Art, Muskegon, MI; Center for Visual Arts, Denver, CO; University of Richmond Museum, Richmond, VA; William D. Cannon Art Gallery, Carlsbad, CA; Kennesaw State University Art Gallery, Kennesaw, GA |
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Signs, Symbols & Codes, Elga Wimmer Gallery, New York, NY |
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Group Show, Diane Villani Editions, New York, NY |
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WORD/IMAGE, Westport Arts Center, Westport, CT |
| 2002 |
Group show, Barbara Krakow Gallery, Boston, MA |
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TOYLAND, Alysia Duckler Gallery, Portland, OR |
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Tricky Adios: Hello to Handmade Words, curated by David Humphrey, KS Art, New York, NY |
| 2001 |
A Way With Words, Whitney Museum of American Art at Phillip Morris, New York, NY |
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First There Was a Drawing, curated by Gerry Snyder and Michael St John, The College of Santa Fe Fine Arts Gallery, Santa Fe, NM |
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Digital Printmaking Now, curated by Marilyn S. Kushner, Brooklyn Museum of Art, Brooklyn, NY |
| 2000 |
Blurry Lines, curated by Andrea Inselmann, John Michael Kohler Arts Center, Sheboygan, WI |
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Collectors Choice, curated by Sue Scott, Orlando Museum of Art, Orlando, FL |
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Unlimited Space, curated by Catherine Perret, Les Fille du Calvaire, Paris, France |
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Unique Photographs, Paul Kasmin Gallery, New York, NY |
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Painting, Paul Kasmin Gallery, New York, NY |
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Drawings and Photographs, Mathew Marks Gallery, New York, NY |
| 1999 |
Painting Language, LA Louver, Venice, CA |
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Gesture and Contemporary Painting, The University of Michigan School of Art Gallery, Ann Arbor, MI |
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Drawn from Artist Collections, curated by Ann Philbin and Jack Shear, The Drawing Center, New York, NY |
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Abstract Painting 1999, Paul Kasmin Gallery, New York, NY |
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Powder, curated by Julie Graham and Maria Friedrich, Aspen Art Museum, Aspen, CO |
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Immediacies of the Hand: Recent Abstract Painting in New York, curated by Carter Ratcliff and Kim Sobel, Hunter College, New York, NY |
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Drawing into Paint, curated by Geoffrey Young, Fosdick Nelson Gallery, Alfred University, Alfred, NY |
| 1998 |
Artist's on Line for ACOR, Gagosian Gallery, New York, NY |
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Group Show, Paul Kasmin Gallery, New York, NY |
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Group Show, Galerie Lawrence Rubin, Milan, Italy |
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After School, Visual Arts Museum at The School of Visual Arts, New York, NY |
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Spring for Art, Art for Spring, Weatherspoon Art Gallery, Greensboro, NC |
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Proof Positive: 40 Years of Contemporary American Printmaking at ULAE: 1957-1997, the Armand Hammer Museum of Art at UCLA, Los Angeles, CA and Senzon Museum of Art, Tokyo, Japan |
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Masters of the Masters: MFA Faculty of the School of Visual Arts New York 1983-1998, curated by David Shirey, Butler Institute of American Art, Youngstown, OH |
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Painting Language, LA Louver, Venice, CA |
| 1997 |
Moving Toward the Millennium, Schmidt Contemporary Art, St. Louis, MO |
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Heart, Mind, Body, Soul: American Art in the 1990's: Selections from the Permanent Collection, Whitney Museum of Art, New York, NY |
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Suzanne McClelland, Elizabeth McGrath and Daniel Wiener, Eugene Binder Gallery, Long Island City, NY |
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Essential Gestures and Fundamental Signs, Gallery of Art, Johnston Community College, Overland Park, KS |
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Artists Respond to 2001: A Space Odyssey, curated by Bruce Pearson, Williamsburg Art and Historical Society, Brooklyn, NY |
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After the Fall: Aspects of Abstract Painting Since the 1970's, curated by Lilly Wei, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY |
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Jacqueline Humphries, Suzanne McClelland, Beatriz Milhazes, Betsy Senior Gallery, New York, NY |
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Irredeemable Skeltons, curated by Mark Harris, Carmel Buckley and Peter Lloyd Lewis, Shillam and Smith Gallery, London, England |
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Proof Positive: 40 Years of Contemporary American Printmaking at ULAE: 1957-1997, The Corcoran Gallery of Art, Washington, DC and University of Colorado, Colorado Springs, CO |
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Sex/Industry, curated by John Yau, Stefan Stux Gallery, New York, NY |
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New Grounds: Prints and Multiples, the University of South Florida Contemporary Museum of Art, Tampa, FL |
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Sculpture and Works on Paper Based on the Word 'Cube': Carol Szymanski and Suzanne McClelland, Schmidt Contemporary Art, St. Louis, MO |
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Color Detour, curated by Faye Hirsch, Apex Art, New York, NY |
| 1996 |
Unconditionally Abstract, Schmidt Contemporary Art, St. Louis, MO |
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96 Seoul International Art Fair, Seoul, Korea |
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Group Exhibition, Elizabeth Fiore Fine Arts, New York, NY |
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What I Did on My Summer Vacation, White Columns, New York, NY |
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Uneasy Surface - Points of Turbulence in Contemporary Art, curated by Judith Tolnick, Fine Art Galleries, University of Rhode Island, Kingston, RI |
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Women's Work, curated by John Saachi, Greene Naftali Gallery, New York NY |
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The Baseball Show, Curt Marcus Gallery, New York, NY |
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On Paper II, Schmidt Contemporary Art, St. Louis, MO |
| 1995 |
Group Show, curated by Craig Fisher, E.S. Vandam, New York, NY, |
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Woodwork, Champion Corporation Gallery, CT |
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Summer 1995, Paul Kasmin Gallery, New York, NY |
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Kunstkabinett, curated by Sean Elwood, Center of Contemporary Art, Seattle, WA |
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Human/Nature, The New Museum of Contemporary Art, New York, NY |
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Austin Ackles, Luca Buvoli, Mary Jones, Suzanne McClelland, Paul Kasmin Gallery, New York, NY |
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Material Abuse, curated by Mark Harris, Trans Hudson Gallery, Jersey City, NJ |
| 1994 |
Le Temps D'un Dessin, L'ecole des Beaux-arts, L'Orient, France |
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Stealth, Seafirst Gallery, Seattle, WA |
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Practicamente Argento/Basically Silver, Studio la Citta, Verona, Italy |
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Astratta: A Cura di Simona Lodi, Roberta Lette Arte Contemporanea, Volta, Italy |
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New York New York, Studio D'Arte Barnabo, Venice, Italy |
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Abstraction: A Tradition of Collecting in Miami, curated by Louis Grauchos and Kate Rawlinson, Center Fine Arts, Miami, FL |
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Points of Interest, Points of Departure, John Berggruen Gallery, San Francisco, CA |
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Heterogeneity-Abstraction and Virtual Space, curated by Leonard Bullock, Out of the Blue, Edinburgh, Scotland |
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Painting Language, LA Louver, Venice, CA |
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Re: Visioning the Familiar, curated by Klaus Ottman, Ezra and Cecile Zilkha Gallery Center for the Arts, Wesleyan University, Middleton, CT |
| 1993 |
Works on Paper, Jack Hanley Gallery, San Francisco, CA |
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ULAE: Forthcoming Publications and Recent Editions, Brooke Alexander Gallery, New York, NY |
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Universal Limited Art Editions, Bobbie Greenfield Gallery, Venice, CA |
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Paintings, Paula Cooper Gallery, New York, NY |
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Toolbox, Studio la Citta, Verona, Italy |
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Suzanne McClelland and Gail Fitzgerald, Schmidt Contemporary Art, St Louis, MO |
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Summer Reading, Texas Gallery, Houston, TX |
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Drawing the Line against AIDS, Guggenheim Museum, Venice, Italy |
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Foundation for Contemporary Performance Arts Benefit Exhibition, Leo Castelli Gallery, New York, NY |
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Extravagant, curated by Jonathan Seliger, Russisches Kulturzentrum in conjunction with Sylvia Menzel Gallery, Berlin, Germany |
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Irony and Ecstasy, curated by Klaus Ottmann, Salama-Caro Gallery, London, England |
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Single Frame: Ideal Moments of (Ir)rational Totality, John Good Gallery, New York, NY |
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Biennial Exhibition, The Whitney Museum of American Art, New York, NY |
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Works on Paper, Jack Hanley Gallery, San Francisco, CA |
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I am the Enunciator, curated by Christian Leigh, Thread Waxing Space, New York, NY |
| 1992 |
Developing Language, curated by Klaus Kertess, Hirschl and Adler Modern, New York, NY |
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Group Show Theuretzbacher Gallery, Vienna, Austria |
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Painting, Jack Hanley Gallery, San Francisco, CA |
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Letter 'S' Road, curated by Barry Schwabsky, Art Omi, Omi, New York, NY |
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Off Balance, Jason Rubell Gallery, Palm Beach, FL |
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Drawings, Stuart Regan Gallery, Los Angeles, CA |
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Contextures & Constructures, curated by Jonathan Seliger, Rubinstein/Diacono Gallery, New York, NY |
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Encounters with Diversity, curated by Zdenka Gabolva, P.S.1 Contemporary Art Center, Long Island City, NY |
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How It Is, curated by Jonathan Seliger, Tony Shafrazi Gallery, New York, NY |
| 1991 |
Comments on 'Nomos, curated by Robert Mahoney, Penine Hart Gallery, New York, NY |
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New York Diary: Almost 25 Different Things, curated by Zdenka Gabolova and Ryszard Wasko, P.S.1 Contemporary Art Center, Long Island City, NY |
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Breathing Room, Amy Lipton Gallery, New York, NY |
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Nayland Blake, Suzanne McClelland, Teddy Shapiro, Ilyse Soutine, Chris Wilder, curated by Clarissa Dalrymple, Petersburg Gallery, New York, NY |
| 1990 |
To Know a Hawk From a Handsaw, Wolf Gallery, NY |
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Action For Auction, Act Up, New York, NY |
| 1989 |
Line, curated by Loren Madsen, Visual Arts Gallery, New York, NY |
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Homeland, curated by Yong Soon Min and Shirin Neshat, Minor Injury, Brooklyn, NY |
| 1985 |
Homeless at Home, Storefront for Art And Architecture, New York, NY |
| 1984 |
1984 A Preview, Ronald Feldman Fine Arts, New York, NY |
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BIBLIOGRAPHY |
| 2011 |
"Suzanne McClelland by Barry Schwabsky", BOMB Magazine, Issue #118, Winter 2011 |
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"Suzanne McClelland", The New Yorker (December 12, 2011) |
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"The Lookout: A Weekly Guide to Shows You Won't Want to Miss", Art in America online (December 8, 2011) |
| 2010 |
Latimer, Quinn, "Suzanne McClelland: Andres Thalmann, Zurich", ARTnews Summer 2010 (July, 2010) |
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Egan, Maura, "Art Show," Elle Decor, (May 2010) |
| 2009 |
Kazanjian, Dodie, Leibovitz, Annie, "Dreaming of Landscape," Vogue Magazine (November 2009) |
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Carlin, T.J., "Suzanne :McClelland Put Me in the Zoo, " Time Out New York (April 19, 2009) |
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Straub, Kimberly, "House of Games," Vogue.com (March 2009) |
| 2008 |
Kino, Carol, Schwabsky, Barry and Scott, Sue, "Rock and Shift," Hard Press Editions with One Eye Pug |
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Momin, Shamim M. and Weinberg, Adam, "Whitney Museum of American Art at Altria," Yale University Press |
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"Slip," Larissa Goldston Gallery |
| 2007 |
Heartney, Eleanor, Posner, Helaine, Princenthal, Nancy & Scott, Sue, "After the Revolution: Women Who Transformed Contemporary Art," Prestel Publishing |
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Princenthal, Nancy, "Suzanne McClelland at David Krut," Art in America (November, 2007) |
| 2005 |
Maine, Stephen, "Suzanne McClelland at Larissa Goldston," Art in America (October, 2005) |
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Johnson, Ken, "Art in Review: I'm a Child of Divorce Give Me a Break," The New York Times (September 30, 2005) |
| 2004 |
Rubenstein, Raphael, "Independent and International: Highlights of Cottrell-Lovett Collection," exhibition catalogue essay, Orlando Museum of Art |
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Scott, Sue, "Co-Conspirators, The Making of a Collection," exhibition catalogue essay, Orlando Museum of Art |
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Westfall, Stephen, "Suzanne McClelland at KS Arts," Art in America (April, 2004) |
| 2003 |
Iles, Chrissie, "Best of 2003," Artforum (December, 2003) |
| 2002 |
Dailey, Meghan, "Suzanne McClelland," Vitamin P: New Perspectives in Painting, Phaidon Press |
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Schwabsky, Barry, "Painting in the Interrogative Mode," Vitamin P: New Perspectives in Painting, Phaidon Press |
| 2001 |
Lebowitz, Cathy, "Suzanne McClelland at Paul Kasmin," Art in America (April, 2001) |
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McClelland, Suzanne, "Mr. Man, Working Proof," Art on Paper (July/August, 2001) |
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Princenthal, Nancy, "Talking Points: Conversation in the Art of Sophie Calle, Joseph Grigely and Suzanne McClelland," Art on Paper (May/June, 2000) |
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Schwabsky, Barry, "Suzanne McClelland at Paul Kasmin", Artforum (January, 2001) |
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Scott, Sue, "Suzanne McClelland: Enough Enough," exhibition catalogue essay, Orlando Museum of Art |
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Zinsser, John, "Review," Artnet.com (January, 2001) |
| 2000 |
Aletti, Vince, "Unique Photographs," The Village Voice (August 1, 2000) |
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Dalton, Jennifer, "Exhibition Preview," Art & Auction (October, 2000) |
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Elwood, Sean, "Plot," exhibition catalog, Galerie Lutz + Thalmann |
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Kraft, Von Martin, "Wortgemalde," Zuritipp (August 31, 2000) |
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McClelland, Suzanne, "Working Proof," Art on Paper (March/April 2000) |
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McClelland, Suzanne, "Working Proof," Art on Paper (December, 2000) |
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Valdez, Sarah, "Summer 2000: Unique Photographs," Time Out New York, No. 254 (August 3-10, 2000) |
| 1999 |
Cotter, Holland, "Immediacies of the Hand: Recent Abstract Painting in New York," The New York Times (April 8, 1999) |
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Everett, Deborah, "Reviews," New York Art Magazine, Vol. 4 No. 3 |
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Friedrich, Maria and Graham, Julie, "Powder: An Introduction," exhibition catalogue essay, Aspen Art Museum |
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Hirsch, Fay, "Working Proof: Just Relax," set of 8 photogravures Art on Paper (February, 1999) |
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Osksenhorn, Stewart, "The Power of Powder," Aspen Times Weekly (March, 1999) |
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Prose, Francine, "The Gallery: The Artist as Curator," The Wall Street Journal (May 20, 1999) |
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Wilkin, Karen, "At the Galleries," Partisan Review (Winter, 1999) |
| 1998 |
Bell, J. Bowyer, "Exhibition Review," Review, (December 1, 1998) |
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"Collection Portrays the Art of America," The Vindicator (April 9, 1998) |
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Johnson, Ken, "Art in Review: Suzanne McClelland at Paul Kasmin," The New York Times (December 11, 1998) |
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Mahoney, Robert, "Suzanne McClelland, mothertongues at Paul Kasmin Gallery," Time Out New York (December 10-17, 1998) |
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"Review," The New Yorker (December 7&14, 1998) |
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Shinn, Dorothy, "Show Disproves Adage: Those Who Can't ...," The Beacon Journal (April 12, 1998) |
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Shirley, David "Abstract Views," Los Angeles Times (August 28, 1998) |
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Shirey, David, "Masters of the Masters, MFA Faculty of the School of Visual Arts, New York, 1983-1998," exhibition catalogue essay (April 5-May 17, 1998) |
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Singer, Clyde "Exhibits Offer Bend of New with Traditional," The Vindicator (April 5, 1998) |
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"Suzanne McClelland at LA Louver," Los Angeles Times (August 28, 1998) |
| 1997 |
Bianchi, Mary, "Interview with Suzanne McClelland," A Journal of Art, Cornell University (May, 1997) |
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Brecelic, Thomas, "Words=space+color," Thailand Times (March 15. 1997) |
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Capalazzo, Amy and Drieshpoon, Doug, "Interview with Suzanne McClelland," Weatherspoon Art Gallery exhibition catalogue, Weatherspoon Art Gallery |
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Fisher, Jim, "New Art on Display at College," The Campus Ledger, Johnson County Community College (December 4, 1997) |
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Lutz, Gabriele, "Suzanne McClelland: New Paintings and Drawings," exhibition catalogue essay, Galerie Lawrence Rubin |
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"New Works," Esquire Thailand, Vol. 3, No. 5 (May, 1997) |
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Ostrow, Saul, "Essential Gestures and Fundamental Signs," exhibition catalogue essay, Johnson County Community College |
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Pagel, David, "Found In The Translation," The Los Angeles Times (July, 1997) |
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Pettifor, Steven, "Abstracting the Feeling of Language," The Nation (March 17, 1997) |
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Phoborisut, Penchan, "Language in Art," The Bangkok Post (March 23-29, 1997) |
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Rainat, Joyce, "Visualizing Speech," The Bangkok Post (March 5, 1997) |
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Rubinstein, Raphael, "Suzanne McClelland: The Spell(ing) of Painting," exhibition catalogue essay, Galerie Kyoko Chirathivat |
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Thorson, Alice, "New Realities of Abstraction," The Kansas City Star (November 3. 1997) |
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"Time Suite," Art on Paper, Vol. 1, No. 5 (May-June, 1997), p40-41 |
| 1996 |
Bell, J. Bowyer, "Suzanne McClelland," Review (May, 1996) |
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Griffin, Tim, "Suzanne McClelland," Time Out New York (May 8-15, 1996) |
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Mahoney, Robert, "Suzanne McClelland at Paul Kasmin," Artnet.com (May, 1996) |
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Schwabsky, Barry, "Carnal Meteorology," exhibition catalogue essay, Paul Kasmin Gallery |
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Smith, Roberta, "Art in Review: Suzanne McClelland at Paul Kasmin Gallery," The New York Times (April 6, 1996) |
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Smith, Roberta, "Art View: The Gallery Doors Open to the Long Denied," The New York Times (May 26, 1996) |
| 1995 |
Adams, Brooks, "Expatriate Dreams," Art in America (February, 1995) |
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Bankowsky, Jack, "The Art of the Matter: Curating the Whitney Biennial," an interview with Klaus Kertess, Artforum (January, 1995) |
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Campbell, Shane, "An Interview with Visiting Artist Suzanne McClelland," News Magazine, School of the Art Institute of Chicago (April, 1995) |
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Harris, Mark, "Material Abuse," exhibition catalogue essay, Trans Hudson Gallery |
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McClelland, Suzanne, "Jill Baroff, Lauren Szold and Ida Applebroog," Bomb Magazine (Spring, 1995) |
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Miles, Unger, "Exhibition Review at Barbara Krakow Gallery," Art New England (April/May, 1995) |
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Myers, Terry R., "Suzanne McClelland, Paul Kasmin Gallery," The New Art Examiner (March, 1995) |
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Raynor, Vivien, "Unsettling Social Commentary with Materials as 'Victims'," The New York Times (March 19, 1995) |
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"Review: Family Photo," The Print Collector's Newsletter (Jan/Feb, 1995) |
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Stapen, Nancy, "Artist's Eye Eternal Cycles," The Boston Globe (January 26, 1995) |
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Wilkin, Karen, "At The Galleries," Partisan Review (Spring, 1995) |
| 1994 |
Aukeman, Anastasia, "New Art Finds Buyers Ready," Art Newsletter, (November 15, 1994) |
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Choon, Angela, "Sense and Sensibility: Artists Translate Sensations into Form," Art & Antiques (February, 1994) |
| |
Cotter, Holland, "Art in Review: Suzanne McClelland," The New York Times (October 31, 1994) |
| |
Drogin, David and Berresford, Lee "Suzanne McClelland," in Re: Visioning The Familiar, Ezra and Cecile Zilkha Gallery Center for the Arts, Wesleyan University |
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Frank, Peter, "Art Picks of the Week: Suzanne McClelland, John Newman," LA Weekly (June 3, 1994) |
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Hirsch, Faye, "Suzanne McClelland: New Paintings," exhibition catalogue essay, LA Louver |
| |
Iannacci, Anthony, "Suzanne McClelland," Titolo (Winter, 1993/94) |
| |
Rubinstein, Raphael, "Abstraction in a Changing Environment, (interviews with Suzanne McClelland, Richmond Burton, Lydia Dona & Fabian Marcaccio)," Art in America (October. 1994) |
| |
Kawakita, Yoichi, "Suzanne McClelland," Men's Club Japan (May, 1994) |
| |
Pagel, David, "Finding Meaning in the Muffled Mess," Los Angeles Times (May 19, 1994) |
| |
Ronnau, Jens, "Painting Made in New York," Fleasbangs Nachricsten (March 2. 1994) |
| 1993 |
Bortolotti, Maurizio, "Toolbox," Tema Celeste: Arte Contemporanea (Summer, 1993) |
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"Drawing," Bomb Magazine (Summer, 1993), pp.78-79 |
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Hirsch, Faye, "For The Record: An Interview with Suzanne McClelland," Print Collectors Newsletter (September/October, 1993) |
| |
Hirsch, Faye, "Word Turf," Lingo, No. 2 |
| |
Ianacci, Anthony, "Review: Toolbox," Titolo (Spring, 1993) |
| |
Ianacci, Anthony, "Speciale Artisti in Mostra, Toolbox," Segno: Attualitˆ Internazionali D'arte Contemporanea (May, 1993) |
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McClelland, Suzanne, "Right," Jason Rubell Gallery, Palm Beach, FL |
| |
Meneghelli, Luigi, "Con il bisturi sulle tele: Quasi un' Autopsia per Indagare Sulke Morte Dell'ane Toolbox," L'arena (March 22, 1993) |
| |
Ottman, Klaus, "Developing Language," exhibition essay, Salma-Caro Gallery |
| |
Phillips, Lisa, "No Man's Land: Art At The Threshold of a Millennium," Biennial Exhibition Catalogue, Whitney Museum of American Art |
| |
Shepling, Carol Ferring, "New Yorkers: Free Spirited by Design: End Justifies the Means for McClelland, Fitzgerald," St. Louis Dispatch (November 18, 1993) |
| 1992 |
Cameron, Dan, "The Changing Tide," Art &Auction (January, 1991) |
| |
Donegan, Cheryl, "Female Heroism: One Portrayal, Four Portraits," Tema Celeste (November/December, 1992) |
| |
Faye, Hirsch, "Written on the Wind," Tema Celeste (April/May, 1992) |
| |
Golden, Thelma, "Painting: Suzanne McClelland," exhibition catalogue essay, Whitney Museum of American Art at Philip Morris |
| |
Ianacci, Anthony, "Toolbox," Segno (May/June, 1992) |
| |
Kazanjian, Dodie, "Abstract Expressions," Vogue (June, 1992) |
| |
Kertess, Klaus, "Developing Language," exhibition essay for Hirschl & Adler Modern |
| |
Kertess, Klaus, "Three Artists for the 90's," Elle Decor (August/September, 1992) |
| |
Ottman, Klaus, "Against the Grain," exhibition essay, Galerie Theuretzbacher |
| |
Pazzi, Caterina, "Ow, he, he ah, ha," Giomali Delle Arte (June, 1992) |
| |
Rubell, Jennifer, "Interview: Suzanne McClelland," exhibition catalogue, Jason Rubell Gallery |
| |
Saltz, Jerry, "Let It Rain: Suzanne McClelland's Doors of Perception," exhibition catalogue essay, Jason Rubell Gallery |
| |
Seliger, Jonathan, "Contextures and Constructures," exhibition essay, Rubenstein/Diacomo Gallery |
| |
Siegel, Jeanne, "Suzanne McClelland," Tema Celeste (April/May, 1992) |
| |
Sjostram, Jan, "New Palm Beach Galleries Present Intriguing Summer Show," Palm Beach Daily News (July 22, 1992) |
| |
Smith, Roberta, "Art in Review: Suzanne McClelland at The Whitney Museum of American Art at Philip Morris," The New York Times (December 18, 1992) |
| |
Wolff, Millie, "Suzanne McClelland," Palm Beach Today (February 1, 1991) |
| |
Yau, John, "Suzanne McClelland," Artforum (February, 1992) |
| 1990 |
Hirsch, Faye, "Suzanne McClelland," exhibition catalogue essay, Stephanie Theodore Gallery |
| |
Kaneda, Shirley, "Paintings and It's Others in the Realm of the Feminine," Arts Magazine (Summer, 1990) |
| |
Larson, Kay, "Foreign Intrigue," New York Magazine (May 20, 1990) |
| |
Mahoney, Robert, "Comments on Nomos," exhibition catalogue essay, Penine Hart Gallery |
| |
Saltz, Jerry, "Cries and Whispers," Arts Magazine (Summer, 1990) |
| |
Schwabsky, Barry, "Suzanne McClelland," Arts Magazine (December, 1990) |
| |
Smith, Roberta, "Art in Review: Suzanne McClelland," The New York Times (October 18, 1990) |
| |
Yau, John, "Flee Advice," Collectif GŽnŽration |
|
| |
EDUCATION
|
| 1989 |
MFA, School of Visual Arts, New York, NY |
| 1981 |
BFA, University of Michigan, Ann Arbor, MI |
| |
| |
PUBLIC COLLECTIONS
|
| |
Albertina Museum, Vienna, Austria |
| |
Art Foundation Mallorca Collection, Mallorca, Spain |
| |
Art Museum of Southeast Texas, Beaumont, TX |
| |
Brooklyn Museum, Brooklyn, NY |
| |
Detroit Institute of Fine Art, Detroit, MI |
| |
Fried, Frank, Harris, Shriver & Jacobson, New York, NY |
| |
Grunwald Center for Graphic Arts, UCLA Hammer Museum, Los Angeles, CA |
| |
Judith Rothschild Foundation |
| |
The Margulies Collection, Miami, FL |
| |
The Metropolitan Museum of Art, NY |
| |
Miami Art Museum, Miami, FL |
| |
Museum of Art, Washington State University, Pullman, WA |
| |
Museum of Contemporary Art San Diego, San Diego, CA |
| |
Museum of Modern Art, New York, NY |
| |
Neuberger Museum of Art, Purchase College, Purchase, NY |
| |
New York Public Library Print Collection, New York, NY |
| |
Norton Museum of Art, West Palm Beach, FL |
| |
Norton Simon Museum, Pasadena, CA |
| |
Orlando Museum of Art, Orlando, FL |
| |
Paine Webber, New York, NY |
| |
Progressive Corporation, Cleveland, OH |
| |
RISD Museum of Art, Providence, RI |
| |
The Rubell Family Collection |
| |
Southwestern Bell Corporation, Houston, TX |
| |
St. Louis Art Museum, St. Louis, MO |
| |
University of Virginia Art Museum, Charlottesville, VA |
| |
The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ |
| |
Walker Art Center, Minneapolis, MN |
| |
Wellington Management Company, Boston, MA |
| |
Whitney Museum of American Art, New York, NY |
|
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GRANTS AND AWARDS
|
| 2010 |
Anonymous Was a Woman Award |
| 2006 |
Nancy Graves Grant for Visual Arts |
| 2006 |
AXA Artist Award |
| 2002 |
Visual Harlem Artist Exchange Jacob Lawrence Foundation |
| 2001 |
Pollock Krasner Grant |
| 1999 |
Skowhegan School of Painting and Sculpture, Resident Faculty |
| 1990 |
P.S.1 Contemporary Art Center, Clocktower Studio Program, Artists Residency |
|
| |
TEACHING |
| 2010 |
Vermont Studio Center, Visiting Artist, Johnson, VT |
| 2009 |
University of Buffalo, Department of Visual Studies, Visiting Artist and Lecture, Buffalo, NY |
| |
RISD, Painting Department, Visiting Artist and Lecture, Providence, RI |
| 2007-present |
Pratt Institute, Visiting Professor, Brooklyn, NY |
| 1997-2007 |
School of Visual Arts, MFA Program, Faculty, New York, NY |
| 2008 |
Virginia Commonwealth University, Visiting Professor, Richmond, VA |
| 2007 |
Pratt Institute, Visiting Professor, Brooklyn, NY |
| 2006 |
Rutgers University, Visiting Professor, New Brunswick, NJ |
| 2004–2005 |
Cooper Union School of Art, Adjunct Instructor, New York, NY |
| 1999 |
Yale University School of Art, Department of Painting and Drawing, Senior Critic, New Haven, CT |
| 1993–1997 |
New York University, Department of Fine Arts, Adjunct Faculty, New York, NY |