Selected Works Head First, 2009
Pastel, acrylic and oil on canvas, 82 x 75 in / 208.3 x 190.5 cm
Pastel, acrylic and oil on canvas, 82 x 75 in / 208.3 x 190.5 cm
| Born in Jacksonville, FL | |
| SOLO EXHIBITIONS |
|
| 2013 | STrAY, Univeristy of Virginia Art Museum, Charlottesville, VA (forthcoming) |
| 2011 | left, Sue Scott Gallery, New York, NY |
| 2010 | Scratch, Shane Campbell Gallery, Chicago, IL |
| TOY, Galerie Andres Thalmann, Zurich, Switzerland [Catalogue] | |
| 2009 | Put Me in the Zoo, Sue Scott Gallery, New York, NY |
| 2007 | STrAY, David Krut Projects New York, NY [catalogue] |
| 2005 | SLIP, Larissa Goldston Gallery, New York, NY [catalogue] |
| Team Play Her, Shane Campbell Gallery, Chicago, IL | |
| 2003 | Suzanne McClelland: Drawings and Prints, KS Art, New York, NY |
| 2001 | Enough Enough, Orlando Museum of Art, Orlando, FL |
| 2000 | Out of Character, Paul Kasmin Gallery, New York, NY |
| Plot, Galerie Lutz and Thalmann, Zurich, Switzerland [catalogue] | |
| Intersections and Interruptions, Locks Gallery, Philadelphia, PA | |
| 1999 | Correspondence, Lemberg Gallery, Birmingham, MI |
| Elsewhere, Baldwin Gallery, Aspen, CO | |
| 1998 | Mothertongues, Paul Kasmin Gallery, New York, NY |
| 1997 | Suzanne McClelland, Weatherspoon Art Gallery, The University of North Carolina at Greensboro, Greensboro, NC [catalogue] |
| Tealeaves, LA Louver, Venice, CA | |
| Suzanne McClelland, Galerie Lawrence Rubin, Zurich, Switzerland [catalogue] | |
| Suzanne McClelland, Galerie Kyoko Chirathivat, Bangkok, Thailand [catalogue] | |
| 1996 | Babel, Paul Kasmin Gallery, New York, NY [catalogue] |
| 1995 | Suzanne McClelland, Lemberg Gallery, Birmingham, MI |
| Suzanne McClelland, Texas Gallery, Houston, TX | |
| Suzanne McClelland, Barbara Krakow Gallery, Boston, MA | |
| 1994 | Suzanne McClelland, Paul Kasmin Gallery, New York, NY |
| Suzanne McClelland, LA Louver, Venice, CA [catalogue] | |
| 1993 | Suzanne McClelland, 303 Gallery, New York, NY |
| Suzanne McClelland, Jason Rubell Gallery, Miami, FL | |
| 1992 | Suzanne McClelland-Painting, Whitney Museum of American Art at Philip Morris, New York, NY [catalogue] |
| Suzanne McClelland, Jason Rubell Gallery, Palm Beach, FL [catalogue] | |
| 1991 | Suzanne McClelland, Stephanie Theodore Gallery, New York, NY [catalogue] |
| GROUP EXHIBITIONS |
|
| 2012 | Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY |
| Loughelton Revisited, curated by Barbara Broughel, Winklemand Gallery, New York, NY | |
| Colorwalks Away, curated by Suzanne McClelland, Galerie Andres Thalman, Zurich, Switzerland (forthcoming) | |
| Makeup on Empty Space, Larissa Goldston Gallery, New York, NY (forthcoming) | |
| 2011 | A Painting Show, organized by Laura Raicovich and Jesse Washburne-Harris, Harris Lieberman Gallery, New York, NY |
| Affinities, curated by Kate McNamara, D'Amelio Terras Gallery, New York, NY | |
| Influentials, curated by Amy Smith Stewart with Carrie Lincourt, Visual Arts Gallery at SVA, New York, NY | |
| 2010 | Drawing, Shane Campbell Gallery, Chicago, IL |
| The Pipe and Flow, Espacio Minimo, curated by Omar Lopez-Chahoud, Madrid, Spain | |
| Single Lady, A benefit for Afghan Women Leaders CONNECT, organized by Jenny Salomon, Kate Gilmore and Candice Madey, Brooklyn, NY | |
| Third Thoughts, curated by Barry Schwabsky and Carol Szymanski, CCA Andratx, Mallorca, Spain | |
| Give Me a Minute, The Shirey, Brooklyn, NY | |
| A Reluctant Apparition, Sue Scott Gallery, New York, NY | |
| Drawing Gifts, Drawing Center Benefit, New York, NY | |
| Painting and Sculpture: Foundation for Contemporary Arts Benefit Exhibition, Lehmann Maupin, New York, NY | |
| Summer 2010, Larissa Goldston Gallery, New York, NY | |
| 2009 | New Prints, 2009/Spring selected by Polly Apfelbaum, IPCNY, New York, NY |
| Pink Panther, curated by Amy Smith-Stewart, KUMUKUMU, New York, NY | |
| Affinities:Painting in Abstraction, curated by Kate McNamara, RISD Museum, Providence, RI | |
| SPECIALS on the High Line, curated by Lisa Sigal and Paul Ramirez Jonas, Highline, New York, NY | |
| Landscape Revisited, curated by Dodie Kazanjian, Park Avenue Armory, New York, NY | |
| What's Neu?: Recent Additions to the Neuberger Collection, Neuberger Museum of Art, Purchase College, Purchase, NY | |
| Lover, curated by Kate Gilmore and Candice Madey, On Stellar Rays, New York, NY | |
| Talk Dirty To Me..., Larissa Goldston Gallery, New York, NY | |
| 2008 | Legerdemain, Sue Scott Gallery, New York, NY |
| Stable Scrawl, Larissa Goldston Gallery, New York, NY | |
| Grey, Dinter Fine Arts, New York, NY | |
| Ithaca Collects, Johnson Museum of Art, Cornell University, Ithaca, NY | |
| More Than Words, Von Lintel Gallery, New York, NY | |
| Affinities:Painting in Abstraction, curated by Kate McNamara, Ramapo College of New Jersey, Mahwah, NJ | |
| Under the Influence, curated by Francis Bishop Good, Jane Hart and Michelle Weinberg, Art and Cultural Center of Hollywood, Fort Lauderdale, FL | |
| 2007 | Drawing, Thinking, curated by Marco Breuer, Von Lintel Gallery, New York, NY |
| In the Viewing Room, curated by Lisa Sigal, Frederieke Taylor Gallery, New York, NY | |
| Horizon, curated by David Humphrey, Elizabeth Foundation for the Arts, New York, NY | |
| Affinities:Painting in Abstraction, curated by Kate McNamara, CCS Bard College, Annandale-on Hudson, NY | |
| Sex in the City, curated by Dean Daderko and Marina Adams, Dumbo Arts Center, Brooklyn, NY | |
| Post Dec-Beyond Pattern and Decoration, curated by Zina Davis, Joseloff Gallery, University of Hartford, West Hartford, CT | |
| What F Word?, curated by Carol Cole Levin, Cynthia Broan Gallery, New York, NY | |
| Katherine Bowling and Suzanne McClelland Unique Works on Paper, One Eye Pug, New York, NY | |
| Mixed Signals, curated by Martina Batan, Ronald Feldman Fine Arts, New York, NY | |
| ULAE-Celebrating Fifty Years with New Editions, Larissa Goldston Gallery, New York, NY | |
| Group Show, Nina Freudenheim Gallery, Buffalo, NY | |
| In Words: The Art of Language, curated by Lance Winn, University Museums, University of Delaware, Newark, DE | |
| Hot Off the Press, curated by Janice Oresman, The Grolier Club, New York, NY | |
| 2006 | Works on Paper Benefit, Kentler International Drawing Space, Brooklyn, NY |
| Women in the Bedroom, Larissa Goldston Gallery, New York, NY | |
| 2005 | Counting the Ways: Word as Image, Fisher Landau Center for Art, Long Island City, NY |
| I'm a Child of Divorce Give Me A Break, Cynthia Broan Gallery, New York, NY | |
| In Deep Water, Dinter Fine Art, New York, NY | |
| Artists Pick, Larissa Goldston Gallery, New York, NY | |
| 2004 | Face Off, Ronald Feldman Fine Arts, New York, NY |
| Co-Conspirators: Artist and Collector, Orlando Museum of Art, Orlando FL and The Chelsea Museum of Art, New York, NY | |
| Word of Mouth, Dinter Fine Art, New York, NY | |
| 2003 | Take Out, Dieu Donne Papermill, New York, NY |
| Ballpoint Inklings, KS Art, New York, NY | |
| New Prints 2003/Winter, International Print Center New York, New York, NY | |
| ULAE Prints, Robin Rule Gallery, Denver, CO | |
| Tamarind: 40 Years, a traveling exhibition in conjunction with the Tamarind Institute, Albuquerque, NM; Toledo Museum of Art, Toledo, OH; Muskegon Museum of Art, Muskegon, MI; Center for Visual Arts, Denver, CO; University of Richmond Museum, Richmond, VA; William D. Cannon Art Gallery, Carlsbad, CA; Kennesaw State University Art Gallery, Kennesaw, GA | |
| Signs, Symbols & Codes, Elga Wimmer Gallery, New York, NY | |
| Group Show, Diane Villani Editions, New York, NY | |
| WORD/IMAGE, Westport Arts Center, Westport, CT | |
| 2002 | Group show, Barbara Krakow Gallery, Boston, MA |
| TOYLAND, Alysia Duckler Gallery, Portland, OR | |
| Tricky Adios: Hello to Handmade Words, curated by David Humphrey, KS Art, New York, NY | |
| 2001 | A Way With Words, Whitney Museum of American Art at Phillip Morris, New York, NY |
| First There Was a Drawing, curated by Gerry Snyder and Michael St John, The College of Santa Fe Fine Arts Gallery, Santa Fe, NM | |
| Digital Printmaking Now, curated by Marilyn S. Kushner, Brooklyn Museum of Art, Brooklyn, NY | |
| 2000 | Blurry Lines, curated by Andrea Inselmann, John Michael Kohler Arts Center, Sheboygan, WI |
| Collectors Choice, curated by Sue Scott, Orlando Museum of Art, Orlando, FL | |
| Unlimited Space, curated by Catherine Perret, Les Fille du Calvaire, Paris, France | |
| Unique Photographs, Paul Kasmin Gallery, New York, NY | |
| Painting, Paul Kasmin Gallery, New York, NY | |
| Drawings and Photographs, Mathew Marks Gallery, New York, NY | |
| 1999 | Painting Language, LA Louver, Venice, CA |
| Gesture and Contemporary Painting, The University of Michigan School of Art Gallery, Ann Arbor, MI | |
| Drawn from Artist Collections, curated by Ann Philbin and Jack Shear, The Drawing Center, New York, NY | |
| Abstract Painting 1999, Paul Kasmin Gallery, New York, NY | |
| Powder, curated by Julie Graham and Maria Friedrich, Aspen Art Museum, Aspen, CO | |
| Immediacies of the Hand: Recent Abstract Painting in New York, curated by Carter Ratcliff and Kim Sobel, Hunter College, New York, NY | |
| Drawing into Paint, curated by Geoffrey Young, Fosdick Nelson Gallery, Alfred University, Alfred, NY | |
| 1998 | Artist's on Line for ACOR, Gagosian Gallery, New York, NY |
| Group Show, Paul Kasmin Gallery, New York, NY | |
| Group Show, Galerie Lawrence Rubin, Milan, Italy | |
| After School, Visual Arts Museum at The School of Visual Arts, New York, NY | |
| Spring for Art, Art for Spring, Weatherspoon Art Gallery, Greensboro, NC | |
| Proof Positive: 40 Years of Contemporary American Printmaking at ULAE: 1957-1997, the Armand Hammer Museum of Art at UCLA, Los Angeles, CA and Senzon Museum of Art, Tokyo, Japan | |
| Masters of the Masters: MFA Faculty of the School of Visual Arts New York 1983-1998, curated by David Shirey, Butler Institute of American Art, Youngstown, OH | |
| Painting Language, LA Louver, Venice, CA | |
| 1997 | Moving Toward the Millennium, Schmidt Contemporary Art, St. Louis, MO |
| Heart, Mind, Body, Soul: American Art in the 1990's: Selections from the Permanent Collection, Whitney Museum of Art, New York, NY | |
| Suzanne McClelland, Elizabeth McGrath and Daniel Wiener, Eugene Binder Gallery, Long Island City, NY | |
| Essential Gestures and Fundamental Signs, Gallery of Art, Johnston Community College, Overland Park, KS | |
| Artists Respond to 2001: A Space Odyssey, curated by Bruce Pearson, Williamsburg Art and Historical Society, Brooklyn, NY | |
| After the Fall: Aspects of Abstract Painting Since the 1970's, curated by Lilly Wei, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY | |
| Jacqueline Humphries, Suzanne McClelland, Beatriz Milhazes, Betsy Senior Gallery, New York, NY | |
| Irredeemable Skeltons, curated by Mark Harris, Carmel Buckley and Peter Lloyd Lewis, Shillam and Smith Gallery, London, England | |
| Proof Positive: 40 Years of Contemporary American Printmaking at ULAE: 1957-1997, The Corcoran Gallery of Art, Washington, DC and University of Colorado, Colorado Springs, CO | |
| Sex/Industry, curated by John Yau, Stefan Stux Gallery, New York, NY | |
| New Grounds: Prints and Multiples, the University of South Florida Contemporary Museum of Art, Tampa, FL | |
| Sculpture and Works on Paper Based on the Word 'Cube': Carol Szymanski and Suzanne McClelland, Schmidt Contemporary Art, St. Louis, MO | |
| Color Detour, curated by Faye Hirsch, Apex Art, New York, NY | |
| 1996 | Unconditionally Abstract, Schmidt Contemporary Art, St. Louis, MO |
| 96 Seoul International Art Fair, Seoul, Korea | |
| Group Exhibition, Elizabeth Fiore Fine Arts, New York, NY | |
| What I Did on My Summer Vacation, White Columns, New York, NY | |
| Uneasy Surface - Points of Turbulence in Contemporary Art, curated by Judith Tolnick, Fine Art Galleries, University of Rhode Island, Kingston, RI | |
| Women's Work, curated by John Saachi, Greene Naftali Gallery, New York NY | |
| The Baseball Show, Curt Marcus Gallery, New York, NY | |
| On Paper II, Schmidt Contemporary Art, St. Louis, MO | |
| 1995 | Group Show, curated by Craig Fisher, E.S. Vandam, New York, NY, |
| Woodwork, Champion Corporation Gallery, CT | |
| Summer 1995, Paul Kasmin Gallery, New York, NY | |
| Kunstkabinett, curated by Sean Elwood, Center of Contemporary Art, Seattle, WA | |
| Human/Nature, The New Museum of Contemporary Art, New York, NY | |
| Austin Ackles, Luca Buvoli, Mary Jones, Suzanne McClelland, Paul Kasmin Gallery, New York, NY | |
| Material Abuse, curated by Mark Harris, Trans Hudson Gallery, Jersey City, NJ | |
| 1994 | Le Temps D'un Dessin, L'ecole des Beaux-arts, L'Orient, France |
| Stealth, Seafirst Gallery, Seattle, WA | |
| Practicamente Argento/Basically Silver, Studio la Citta, Verona, Italy | |
| Astratta: A Cura di Simona Lodi, Roberta Lette Arte Contemporanea, Volta, Italy | |
| New York New York, Studio D'Arte Barnabo, Venice, Italy | |
| Abstraction: A Tradition of Collecting in Miami, curated by Louis Grauchos and Kate Rawlinson, Center Fine Arts, Miami, FL | |
| Points of Interest, Points of Departure, John Berggruen Gallery, San Francisco, CA | |
| Heterogeneity-Abstraction and Virtual Space, curated by Leonard Bullock, Out of the Blue, Edinburgh, Scotland | |
| Painting Language, LA Louver, Venice, CA | |
| Re: Visioning the Familiar, curated by Klaus Ottman, Ezra and Cecile Zilkha Gallery Center for the Arts, Wesleyan University, Middleton, CT | |
| 1993 | Works on Paper, Jack Hanley Gallery, San Francisco, CA |
| ULAE: Forthcoming Publications and Recent Editions, Brooke Alexander Gallery, New York, NY | |
| Universal Limited Art Editions, Bobbie Greenfield Gallery, Venice, CA | |
| Paintings, Paula Cooper Gallery, New York, NY | |
| Toolbox, Studio la Citta, Verona, Italy | |
| Suzanne McClelland and Gail Fitzgerald, Schmidt Contemporary Art, St Louis, MO | |
| Summer Reading, Texas Gallery, Houston, TX | |
| Drawing the Line against AIDS, Guggenheim Museum, Venice, Italy | |
| Foundation for Contemporary Performance Arts Benefit Exhibition, Leo Castelli Gallery, New York, NY | |
| Extravagant, curated by Jonathan Seliger, Russisches Kulturzentrum in conjunction with Sylvia Menzel Gallery, Berlin, Germany | |
| Irony and Ecstasy, curated by Klaus Ottmann, Salama-Caro Gallery, London, England | |
| Single Frame: Ideal Moments of (Ir)rational Totality, John Good Gallery, New York, NY | |
| Biennial Exhibition, The Whitney Museum of American Art, New York, NY | |
| Works on Paper, Jack Hanley Gallery, San Francisco, CA | |
| I am the Enunciator, curated by Christian Leigh, Thread Waxing Space, New York, NY | |
| 1992 | Developing Language, curated by Klaus Kertess, Hirschl and Adler Modern, New York, NY |
| Group Show Theuretzbacher Gallery, Vienna, Austria | |
| Painting, Jack Hanley Gallery, San Francisco, CA | |
| Letter 'S' Road, curated by Barry Schwabsky, Art Omi, Omi, New York, NY | |
| Off Balance, Jason Rubell Gallery, Palm Beach, FL | |
| Drawings, Stuart Regan Gallery, Los Angeles, CA | |
| Contextures & Constructures, curated by Jonathan Seliger, Rubinstein/Diacono Gallery, New York, NY | |
| Encounters with Diversity, curated by Zdenka Gabolva, P.S.1 Contemporary Art Center, Long Island City, NY | |
| How It Is, curated by Jonathan Seliger, Tony Shafrazi Gallery, New York, NY | |
| 1991 | Comments on 'Nomos, curated by Robert Mahoney, Penine Hart Gallery, New York, NY |
| New York Diary: Almost 25 Different Things, curated by Zdenka Gabolova and Ryszard Wasko, P.S.1 Contemporary Art Center, Long Island City, NY | |
| Breathing Room, Amy Lipton Gallery, New York, NY | |
| Nayland Blake, Suzanne McClelland, Teddy Shapiro, Ilyse Soutine, Chris Wilder, curated by Clarissa Dalrymple, Petersburg Gallery, New York, NY | |
| 1990 | To Know a Hawk From a Handsaw, Wolf Gallery, NY |
| Action For Auction, Act Up, New York, NY | |
| 1989 | Line, curated by Loren Madsen, Visual Arts Gallery, New York, NY |
| Homeland, curated by Yong Soon Min and Shirin Neshat, Minor Injury, Brooklyn, NY | |
| 1985 | Homeless at Home, Storefront for Art And Architecture, New York, NY |
| 1984 | 1984 A Preview, Ronald Feldman Fine Arts, New York, NY |
|
BIBLIOGRAPHY |
|
| 2011 | "Suzanne McClelland by Barry Schwabsky", BOMB Magazine, Issue #118, Winter 2011 |
| "Suzanne McClelland", The New Yorker (December 12, 2011) | |
| "The Lookout: A Weekly Guide to Shows You Won't Want to Miss", Art in America online (December 8, 2011) | |
| 2010 | Latimer, Quinn, "Suzanne McClelland: Andres Thalmann, Zurich", ARTnews Summer 2010 (July, 2010) |
| Egan, Maura, "Art Show," Elle Decor, (May 2010) | |
| 2009 | Kazanjian, Dodie, Leibovitz, Annie, "Dreaming of Landscape," Vogue Magazine (November 2009) |
| Carlin, T.J., "Suzanne :McClelland Put Me in the Zoo, " Time Out New York (April 19, 2009) | |
| Straub, Kimberly, "House of Games," Vogue.com (March 2009) | |
| 2008 | Kino, Carol, Schwabsky, Barry and Scott, Sue, "Rock and Shift," Hard Press Editions with One Eye Pug |
| Momin, Shamim M. and Weinberg, Adam, "Whitney Museum of American Art at Altria," Yale University Press | |
| "Slip," Larissa Goldston Gallery | |
| 2007 | Heartney, Eleanor, Posner, Helaine, Princenthal, Nancy & Scott, Sue, "After the Revolution: Women Who Transformed Contemporary Art," Prestel Publishing |
| Princenthal, Nancy, "Suzanne McClelland at David Krut," Art in America (November, 2007) | |
| 2005 | Maine, Stephen, "Suzanne McClelland at Larissa Goldston," Art in America (October, 2005) |
| Johnson, Ken, "Art in Review: I'm a Child of Divorce Give Me a Break," The New York Times (September 30, 2005) | |
| 2004 | Rubenstein, Raphael, "Independent and International: Highlights of Cottrell-Lovett Collection," exhibition catalogue essay, Orlando Museum of Art |
| Scott, Sue, "Co-Conspirators, The Making of a Collection," exhibition catalogue essay, Orlando Museum of Art | |
| Westfall, Stephen, "Suzanne McClelland at KS Arts," Art in America (April, 2004) | |
| 2003 | Iles, Chrissie, "Best of 2003," Artforum (December, 2003) |
| 2002 | Dailey, Meghan, "Suzanne McClelland," Vitamin P: New Perspectives in Painting, Phaidon Press |
| Schwabsky, Barry, "Painting in the Interrogative Mode," Vitamin P: New Perspectives in Painting, Phaidon Press | |
| 2001 | Lebowitz, Cathy, "Suzanne McClelland at Paul Kasmin," Art in America (April, 2001) |
| McClelland, Suzanne, "Mr. Man, Working Proof," Art on Paper (July/August, 2001) | |
| Princenthal, Nancy, "Talking Points: Conversation in the Art of Sophie Calle, Joseph Grigely and Suzanne McClelland," Art on Paper (May/June, 2000) | |
| Schwabsky, Barry, "Suzanne McClelland at Paul Kasmin", Artforum (January, 2001) | |
| Scott, Sue, "Suzanne McClelland: Enough Enough," exhibition catalogue essay, Orlando Museum of Art | |
| Zinsser, John, "Review," Artnet.com (January, 2001) | |
| 2000 | Aletti, Vince, "Unique Photographs," The Village Voice (August 1, 2000) |
| Dalton, Jennifer, "Exhibition Preview," Art & Auction (October, 2000) | |
| Elwood, Sean, "Plot," exhibition catalog, Galerie Lutz + Thalmann | |
| Kraft, Von Martin, "Wortgemalde," Zuritipp (August 31, 2000) | |
| McClelland, Suzanne, "Working Proof," Art on Paper (March/April 2000) | |
| McClelland, Suzanne, "Working Proof," Art on Paper (December, 2000) | |
| Valdez, Sarah, "Summer 2000: Unique Photographs," Time Out New York, No. 254 (August 3-10, 2000) | |
| 1999 | Cotter, Holland, "Immediacies of the Hand: Recent Abstract Painting in New York," The New York Times (April 8, 1999) |
| Everett, Deborah, "Reviews," New York Art Magazine, Vol. 4 No. 3 | |
| Friedrich, Maria and Graham, Julie, "Powder: An Introduction," exhibition catalogue essay, Aspen Art Museum | |
| Hirsch, Fay, "Working Proof: Just Relax," set of 8 photogravures Art on Paper (February, 1999) | |
| Osksenhorn, Stewart, "The Power of Powder," Aspen Times Weekly (March, 1999) | |
| Prose, Francine, "The Gallery: The Artist as Curator," The Wall Street Journal (May 20, 1999) | |
| Wilkin, Karen, "At the Galleries," Partisan Review (Winter, 1999) | |
| 1998 | Bell, J. Bowyer, "Exhibition Review," Review, (December 1, 1998) |
| "Collection Portrays the Art of America," The Vindicator (April 9, 1998) | |
| Johnson, Ken, "Art in Review: Suzanne McClelland at Paul Kasmin," The New York Times (December 11, 1998) | |
| Mahoney, Robert, "Suzanne McClelland, mothertongues at Paul Kasmin Gallery," Time Out New York (December 10-17, 1998) | |
| "Review," The New Yorker (December 7&14, 1998) | |
| Shinn, Dorothy, "Show Disproves Adage: Those Who Can't ...," The Beacon Journal (April 12, 1998) | |
| Shirley, David "Abstract Views," Los Angeles Times (August 28, 1998) | |
| Shirey, David, "Masters of the Masters, MFA Faculty of the School of Visual Arts, New York, 1983-1998," exhibition catalogue essay (April 5-May 17, 1998) | |
| Singer, Clyde "Exhibits Offer Bend of New with Traditional," The Vindicator (April 5, 1998) | |
| "Suzanne McClelland at LA Louver," Los Angeles Times (August 28, 1998) | |
| 1997 | Bianchi, Mary, "Interview with Suzanne McClelland," A Journal of Art, Cornell University (May, 1997) |
| Brecelic, Thomas, "Words=space+color," Thailand Times (March 15. 1997) | |
| Capalazzo, Amy and Drieshpoon, Doug, "Interview with Suzanne McClelland," Weatherspoon Art Gallery exhibition catalogue, Weatherspoon Art Gallery | |
| Fisher, Jim, "New Art on Display at College," The Campus Ledger, Johnson County Community College (December 4, 1997) | |
| Lutz, Gabriele, "Suzanne McClelland: New Paintings and Drawings," exhibition catalogue essay, Galerie Lawrence Rubin | |
| "New Works," Esquire Thailand, Vol. 3, No. 5 (May, 1997) | |
| Ostrow, Saul, "Essential Gestures and Fundamental Signs," exhibition catalogue essay, Johnson County Community College | |
| Pagel, David, "Found In The Translation," The Los Angeles Times (July, 1997) | |
| Pettifor, Steven, "Abstracting the Feeling of Language," The Nation (March 17, 1997) | |
| Phoborisut, Penchan, "Language in Art," The Bangkok Post (March 23-29, 1997) | |
| Rainat, Joyce, "Visualizing Speech," The Bangkok Post (March 5, 1997) | |
| Rubinstein, Raphael, "Suzanne McClelland: The Spell(ing) of Painting," exhibition catalogue essay, Galerie Kyoko Chirathivat | |
| Thorson, Alice, "New Realities of Abstraction," The Kansas City Star (November 3. 1997) | |
| "Time Suite," Art on Paper, Vol. 1, No. 5 (May-June, 1997), p40-41 | |
| 1996 | Bell, J. Bowyer, "Suzanne McClelland," Review (May, 1996) |
| Griffin, Tim, "Suzanne McClelland," Time Out New York (May 8-15, 1996) | |
| Mahoney, Robert, "Suzanne McClelland at Paul Kasmin," Artnet.com (May, 1996) | |
| Schwabsky, Barry, "Carnal Meteorology," exhibition catalogue essay, Paul Kasmin Gallery | |
| Smith, Roberta, "Art in Review: Suzanne McClelland at Paul Kasmin Gallery," The New York Times (April 6, 1996) | |
| Smith, Roberta, "Art View: The Gallery Doors Open to the Long Denied," The New York Times (May 26, 1996) | |
| 1995 | Adams, Brooks, "Expatriate Dreams," Art in America (February, 1995) |
| Bankowsky, Jack, "The Art of the Matter: Curating the Whitney Biennial," an interview with Klaus Kertess, Artforum (January, 1995) | |
| Campbell, Shane, "An Interview with Visiting Artist Suzanne McClelland," News Magazine, School of the Art Institute of Chicago (April, 1995) | |
| Harris, Mark, "Material Abuse," exhibition catalogue essay, Trans Hudson Gallery | |
| McClelland, Suzanne, "Jill Baroff, Lauren Szold and Ida Applebroog," Bomb Magazine (Spring, 1995) | |
| Miles, Unger, "Exhibition Review at Barbara Krakow Gallery," Art New England (April/May, 1995) | |
| Myers, Terry R., "Suzanne McClelland, Paul Kasmin Gallery," The New Art Examiner (March, 1995) | |
| Raynor, Vivien, "Unsettling Social Commentary with Materials as 'Victims'," The New York Times (March 19, 1995) | |
| "Review: Family Photo," The Print Collector's Newsletter (Jan/Feb, 1995) | |
| Stapen, Nancy, "Artist's Eye Eternal Cycles," The Boston Globe (January 26, 1995) | |
| Wilkin, Karen, "At The Galleries," Partisan Review (Spring, 1995) | |
| 1994 | Aukeman, Anastasia, "New Art Finds Buyers Ready," Art Newsletter, (November 15, 1994) |
| Choon, Angela, "Sense and Sensibility: Artists Translate Sensations into Form," Art & Antiques (February, 1994) | |
| Cotter, Holland, "Art in Review: Suzanne McClelland," The New York Times (October 31, 1994) | |
| Drogin, David and Berresford, Lee "Suzanne McClelland," in Re: Visioning The Familiar, Ezra and Cecile Zilkha Gallery Center for the Arts, Wesleyan University | |
| Frank, Peter, "Art Picks of the Week: Suzanne McClelland, John Newman," LA Weekly (June 3, 1994) | |
| Hirsch, Faye, "Suzanne McClelland: New Paintings," exhibition catalogue essay, LA Louver | |
| Iannacci, Anthony, "Suzanne McClelland," Titolo (Winter, 1993/94) | |
| Rubinstein, Raphael, "Abstraction in a Changing Environment, (interviews with Suzanne McClelland, Richmond Burton, Lydia Dona & Fabian Marcaccio)," Art in America (October. 1994) | |
| Kawakita, Yoichi, "Suzanne McClelland," Men's Club Japan (May, 1994) | |
| Pagel, David, "Finding Meaning in the Muffled Mess," Los Angeles Times (May 19, 1994) | |
| Ronnau, Jens, "Painting Made in New York," Fleasbangs Nachricsten (March 2. 1994) | |
| 1993 | Bortolotti, Maurizio, "Toolbox," Tema Celeste: Arte Contemporanea (Summer, 1993) |
| "Drawing," Bomb Magazine (Summer, 1993), pp.78-79 | |
| Hirsch, Faye, "For The Record: An Interview with Suzanne McClelland," Print Collectors Newsletter (September/October, 1993) | |
| Hirsch, Faye, "Word Turf," Lingo, No. 2 | |
| Ianacci, Anthony, "Review: Toolbox," Titolo (Spring, 1993) | |
| Ianacci, Anthony, "Speciale Artisti in Mostra, Toolbox," Segno: Attualitˆ Internazionali D'arte Contemporanea (May, 1993) | |
| McClelland, Suzanne, "Right," Jason Rubell Gallery, Palm Beach, FL | |
| Meneghelli, Luigi, "Con il bisturi sulle tele: Quasi un' Autopsia per Indagare Sulke Morte Dell'ane Toolbox," L'arena (March 22, 1993) | |
| Ottman, Klaus, "Developing Language," exhibition essay, Salma-Caro Gallery | |
| Phillips, Lisa, "No Man's Land: Art At The Threshold of a Millennium," Biennial Exhibition Catalogue, Whitney Museum of American Art | |
| Shepling, Carol Ferring, "New Yorkers: Free Spirited by Design: End Justifies the Means for McClelland, Fitzgerald," St. Louis Dispatch (November 18, 1993) | |
| 1992 | Cameron, Dan, "The Changing Tide," Art &Auction (January, 1991) |
| Donegan, Cheryl, "Female Heroism: One Portrayal, Four Portraits," Tema Celeste (November/December, 1992) | |
| Faye, Hirsch, "Written on the Wind," Tema Celeste (April/May, 1992) | |
| Golden, Thelma, "Painting: Suzanne McClelland," exhibition catalogue essay, Whitney Museum of American Art at Philip Morris | |
| Ianacci, Anthony, "Toolbox," Segno (May/June, 1992) | |
| Kazanjian, Dodie, "Abstract Expressions," Vogue (June, 1992) | |
| Kertess, Klaus, "Developing Language," exhibition essay for Hirschl & Adler Modern | |
| Kertess, Klaus, "Three Artists for the 90's," Elle Decor (August/September, 1992) | |
| Ottman, Klaus, "Against the Grain," exhibition essay, Galerie Theuretzbacher | |
| Pazzi, Caterina, "Ow, he, he ah, ha," Giomali Delle Arte (June, 1992) | |
| Rubell, Jennifer, "Interview: Suzanne McClelland," exhibition catalogue, Jason Rubell Gallery | |
| Saltz, Jerry, "Let It Rain: Suzanne McClelland's Doors of Perception," exhibition catalogue essay, Jason Rubell Gallery | |
| Seliger, Jonathan, "Contextures and Constructures," exhibition essay, Rubenstein/Diacomo Gallery | |
| Siegel, Jeanne, "Suzanne McClelland," Tema Celeste (April/May, 1992) | |
| Sjostram, Jan, "New Palm Beach Galleries Present Intriguing Summer Show," Palm Beach Daily News (July 22, 1992) | |
| Smith, Roberta, "Art in Review: Suzanne McClelland at The Whitney Museum of American Art at Philip Morris," The New York Times (December 18, 1992) | |
| Wolff, Millie, "Suzanne McClelland," Palm Beach Today (February 1, 1991) | |
| Yau, John, "Suzanne McClelland," Artforum (February, 1992) | |
| 1990 | Hirsch, Faye, "Suzanne McClelland," exhibition catalogue essay, Stephanie Theodore Gallery |
| Kaneda, Shirley, "Paintings and It's Others in the Realm of the Feminine," Arts Magazine (Summer, 1990) | |
| Larson, Kay, "Foreign Intrigue," New York Magazine (May 20, 1990) | |
| Mahoney, Robert, "Comments on Nomos," exhibition catalogue essay, Penine Hart Gallery | |
| Saltz, Jerry, "Cries and Whispers," Arts Magazine (Summer, 1990) | |
| Schwabsky, Barry, "Suzanne McClelland," Arts Magazine (December, 1990) | |
| Smith, Roberta, "Art in Review: Suzanne McClelland," The New York Times (October 18, 1990) | |
| Yau, John, "Flee Advice," Collectif GŽnŽration | |
|
EDUCATION |
|
| 1989 | MFA, School of Visual Arts, New York, NY |
| 1981 | BFA, University of Michigan, Ann Arbor, MI |
| PUBLIC COLLECTIONS |
|
| Albertina Museum, Vienna, Austria | |
| Art Foundation Mallorca Collection, Mallorca, Spain | |
| Art Museum of Southeast Texas, Beaumont, TX | |
| Brooklyn Museum, Brooklyn, NY | |
| Detroit Institute of Fine Art, Detroit, MI | |
| Fried, Frank, Harris, Shriver & Jacobson, New York, NY | |
| Grunwald Center for Graphic Arts, UCLA Hammer Museum, Los Angeles, CA | |
| Judith Rothschild Foundation | |
| The Margulies Collection, Miami, FL | |
| The Metropolitan Museum of Art, NY | |
| Miami Art Museum, Miami, FL | |
| Museum of Art, Washington State University, Pullman, WA | |
| Museum of Contemporary Art San Diego, San Diego, CA | |
| Museum of Modern Art, New York, NY | |
| Neuberger Museum of Art, Purchase College, Purchase, NY | |
| New York Public Library Print Collection, New York, NY | |
| Norton Museum of Art, West Palm Beach, FL | |
| Norton Simon Museum, Pasadena, CA | |
| Orlando Museum of Art, Orlando, FL | |
| Paine Webber, New York, NY | |
| Progressive Corporation, Cleveland, OH | |
| RISD Museum of Art, Providence, RI | |
| The Rubell Family Collection | |
| Southwestern Bell Corporation, Houston, TX | |
| St. Louis Art Museum, St. Louis, MO | |
| University of Virginia Art Museum, Charlottesville, VA | |
| The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ | |
| Walker Art Center, Minneapolis, MN | |
| Wellington Management Company, Boston, MA | |
| Whitney Museum of American Art, New York, NY | |
| GRANTS AND AWARDS |
|
| 2010 | Anonymous Was a Woman Award |
| 2006 | Nancy Graves Grant for Visual Arts |
| 2006 | AXA Artist Award |
| 2002 | Visual Harlem Artist Exchange Jacob Lawrence Foundation |
| 2001 | Pollock Krasner Grant |
| 1999 | Skowhegan School of Painting and Sculpture, Resident Faculty |
| 1990 | P.S.1 Contemporary Art Center, Clocktower Studio Program, Artists Residency |
|
TEACHING |
|
| 2010 | Vermont Studio Center, Visiting Artist, Johnson, VT |
| 2009 | University of Buffalo, Department of Visual Studies, Visiting Artist and Lecture, Buffalo, NY |
| RISD, Painting Department, Visiting Artist and Lecture, Providence, RI | |
| 2007-present | Pratt Institute, Visiting Professor, Brooklyn, NY |
| 1997-2007 | School of Visual Arts, MFA Program, Faculty, New York, NY |
| 2008 | Virginia Commonwealth University, Visiting Professor, Richmond, VA |
| 2007 | Pratt Institute, Visiting Professor, Brooklyn, NY |
| 2006 | Rutgers University, Visiting Professor, New Brunswick, NJ |
| 2004–2005 | Cooper Union School of Art, Adjunct Instructor, New York, NY |
| 1999 | Yale University School of Art, Department of Painting and Drawing, Senior Critic, New Haven, CT |
| 1993–1997 | New York University, Department of Fine Arts, Adjunct Faculty, New York, NY |