Sue Scott Gallery / Artists / Sheila Pepe

SHEILA PEPE

	EDUCATION
1995	Master of Fine Arts, School of the Museum of Fine Arts —Tufts University, Boston, MA
1994	Skowhegan School of Painting and Sculpture, Skowhegan, ME
1984	Haystack Mountain School of Crafts, Blacksmithing, Deer Isle, ME
1983	Bachelor of Fine Arts in Ceramics with Distinction, Massachusetts College of Art, Boston, MA
1981	Bachelor of Art, Albertus Magnus College, New Haven, CT
	SOLO EXHIBITIONS
2012	Pepe and Puntar's Lucid Dream Lounge with Special Guests....(two person exhibition with Diana Puntar), Participant, Inc. New York, NY
	Common Sense Athens, American College of Greece, Athens (forthcoming)
2011	Sheila Pepe: Common Sense, Chicago, He Said She Said, Oak Park, IL
	Common Sense and Other Things, Carroll and Sons Gallery, Boston, MA
2010	Simple Drawing, Arts on the Point, University of Massachusetts, Boston, MA (public commission)
2009	Yo Mama: Sheila Pepe and Friends, Dust Gallery, Las Vegas, NV
	Common Sense: A Collaboration with Curator Elizabeth Dunbar, Testsite/Fluent - Colab, Austin, TX
2008	Red Hook at Bedford Terrace, Smith College Museum of Art, Northampton, MA
	Sheila Pepe: Drawing in Space, Wayne State University, Detroit, MI
2007	BUS LINES: Drawing Center/River-to-River Festival's Big Draw, World Financial Plaza and Wintergarden, New York, NY
2006	Mine Ayn, Rowland Contemporary, Chicago, IL
2005	Mind the Gap, University Gallery, University of Massachusetts, Amherst, MA (catalogue)
	Hot Lesbian Formalism, Sesnon Gallery, University of California, Santa Cuz, CA
	Tunnel, Jersey City Museum, Jersey City, NJ (catalogue)
2004	Two Women: Carrie Moyer and Sheila Pepe, Palm Beach Institute of Contemporary Art, Lakeworth, FL (catalogue)
	Bridge and Tunnel, Susan Inglett Gallery, New York, NY
	I Love New York, Bernard Toale Gallery, Boston, MA
2003	From Delancy and Clinton, Santa Barbara Contemporary Arts Forum, Santa Barabra, CA
	Under the F & G, Visual Art Center of Richmond, VA (catalogue)
2002	Susan Inglett Gallery, New York, NY
	Come Fly with Me, The Weatherspoon Art Museum, Greensboro, NC
	High Hopes, The Clifford Gallery, New York, NY
2000	Shrink, Zilkha Gallery, Wesleyan University, Middletown, CT (catalogue)
	Josephine, Thread Waxing Space, New York, NY (catalogue)
1999	R&D, Judy Ann Goldman Fine Art, Boston, MA
	Priming the Audience, The Bunting Institute, Radcliffe College, Cambridge, MA
	Strings, Things and Pictures, The Mills Gallery at the Boston Center for the Arts, MA (catalogue)
	Jennjoy gallery, San Francisco, CA
1998	Susan Inglett Gallery, New York, NY
	Pull, Provincetown Art Association and Museum, Provincetown, MA
1997	Fix Flex, Reflux, Judy Ann Goldman Fine Art, Boston, MA
1996	Part and Parcel, Trustman Gallery, Simmons College, Boston, MA
	Exquisite Corpse for One: The Many Betweens, Mobius, Boston, MA
1994	Work from the Doppelganger Series, 88 Room, Allston, MA
	SELECTED GROUP EXHIBITIONS
2012	Lehman College Art Gallery, Bronx, NY (forthcoming)
	NetJets private event, Miami, FL
2011	A Room, in Three Movements, Sue Scott Gallery, New York, NY
	Paper A-Z, Sue Scott Gallery, New York, NY
2010	Hand + Made, curated by Valerie Cassel Oliver, Contemporary Arts Museum Houston, TX
2009	whitey on the moon/white hot money, curated by Kanishka Raja, 106 Green, Brooklyn, NY
	Pratt Prints, Gallery Belas Atres University Gallery, São Paolo, Brazil
	SOMArts / Queer Cultural Center, San Francisco, CA, THREADS, curated by Tirza Latimer, Allison Smith and others
2008	Pratt Prints, Gallery Gravura Brasileira, São Paolo, Brazil
	Artcrush, Jenny Jaskey Gallery at 220 Rittenhouse Place, Philadelphia, PA
	The Future Must Be Sweet: Lower East Side Printshop Celebrates 40 years, curated by Marilyn S. Kushner, International Print Center New York, NY, NY.
	Crossing Disciplines: Light, curated by Keith Sonnier, Rubelle and Norman Schafler Gallery, Pratt Institute, New York, NY
	Radical Lave and Subversive Knitting, reinstalled “Midtown,” Scottsdale Museum of Contemporary Art, Scottsdale, Az
	Pink and Bent: the Art of Queer Women, Leslie/Lohman Gay Art Foundation, New York, NY
	Color in 3D: Found, Applied, and Readymade, curated by Saul Ostrow, WestportArts Center, Westport, CT
	Radical Lave and Subversive Knitting, reinstalled “Midtown,” Indiana State Museum, Indianapolis, IN
	Sheila Pepe, Colby Brewer and Me: A collaborative installation with the public, Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT
	Empire of This, curated by Janet Phelps, Claire Oliver Gallery, NY, NY
	Break the Rules!, Manheim Kunstverein, Manheim, Germany
2007	Liquid Sky, collaborated will Ball-Nogus Architects, designed and crafted seating, PS 1/ MoMA, Long Island City, NY
	Quiet Riot, curated by Julian Kreimer and Karolyn Hatton, March Gallery, New York, NY
	Material Pursuits, Fleming Museum, Burlington, VT
	Arte Povera Oggi. Per una nuova arte di guerriglia (Poor Art Today. For a New Guerrilla Art), ESSO Gallery, NYC
	Shared Women, L.A.C.E., Los Angeles, CA
	Radical Lace & Subversive Knitting, Museum Of Arts and Design, NYC
2006	Flex Your Textiles, curated by Ginger Books Takahashi and Trevor Boyer, John Connelly Presents
	The Line of Beauty, Kathleen Cullen Fine Art, New York, NY
	Two Friends and So On, Andrew Kreps Gallery, New York, NY
	I Was a Sunbeam, David Krut Projects, New York, NY
	When Artists Say We, Artists Space, New York, NY
2005	Crossing Disciplies: Drawing, Schaffler Gallery, Pratt Institute, Brooklyn, NY
	Everyday Objects, Sun Valley Center for the Arts, Ketchum, ID
2004	Compound Interest, Collaborative Concepts, Beacon, NY
	NeoQueer, CoCA, Seattle, WA
	VideoMUTE, The Judi Rotenberg Gallery Annex, Boston, MA
	The Armory Show, with Susan Inglett Gallery, New York, N Y. March 11-15
2003	Project Spaces, curated by Lauri Firstenberg and Jenn Joy, Artists Space, New York, NY
	Manic, curated by Nancy Doll, D.U.M.B.O. Art Center, Brooklyn, NY
	The Armory Show, with Susan Inglett Gallery, New York, N Y. March 6 –10
2002	Brooklyn: Next Next Visual Art, curated by Dan Cameron, Brooklyn Academy of Music, NY
	The Photogenic, curated by Ingrid Schafner, Institute of Contemporary Art, Philadelphia, PA (catalogue)
	Grotto, Jessica Murray Projects, Brooklyn, NY
	Flat/Not Flat, Judy Goldman Fine Art, Boston, MA
2001	Verging on Real, curated by Jennifer McGregor, Wave Hill, Bronx, NY (catalogue)
	The Energy Inside, curated by Dan Strong, Faulconer Gallery, Grinnell College, Grinnell, Iowa (catalogue)
	Susan Inglett Gallery, New York, NY
2000	Greater New York, P.S.1 Contemporary Art Center, Long Island City, NY (catalogue)
	The End, Exit Art/The First World, New York, NY
1999	Arrested Ambition, curated by Gregory Williams, Apex Art, New York, NY (catalogue)
	Museum School Traveling Scholars 1998, Museum of Fine Arts, Boston, MA (catalogue)
	Frontline, The Boston Athenaeum, Boston, MA (catalogue)
	Compliments, The Educational Alliance, New York, NY
1998	Art on Paper, The Weatherspoon Art Museum, Greensboro, NC
	Drawing the Question, curated by Jennifer Gross and Susan Harris, Dorsky Gallery, New York, NY (catalogue)
	Elbowroom, curated by Maria Friberg and Monica Larsen Dennis, Tredje Sparet, Stockholm, Sweden (catalogue)
	Chaos, Control, Chaos, Control. You Like? You Like, curated by Annette Lemieux, Elias Fine Art, Boston, MA
1997	Drawing and Painting, Wooster Gardens, New York, NY
	Gothic, curated by Christoph Grunenberg, Institute of Contemporary Art, Boston, MA (catalogue)
	Grammercy International Contemporary Art Fair with Judy Ann Goldman Fine Art, NY, NY
	Hollywood Premiere: Just for the Night, Hollywood Premiere Motel, Los Angeles, CA
1996	The Lois Foster Exhibition of Boston Area Artists, Part Two, Rose Art Museum, Waltham, MA
	Integer, curated by Lia Gangitano, Woodstock Center for Photography, Woodstock, NY
	Fictions, curated by Marcella Beccaria, Galleria Guido Carbone, Turino, Italy (catalogue)
	Between Desire and Dementia, Salon 75, Brooklyn, NY
	Fuzzy Logi, a screening, Institute of Contemporary Art, Boston, MA
	Pet Paintings, Bernard Toale Gallery, Boston, MA
	Hippie, curated by Andrew Guthrie, 88Room, Allston, MA
1995	Way Cool, Exit Art/ The First World, New York, NY
	Fake I.D., curated by Lia Gangitano, 88Room, Allston, MA
	Angels, Barbara Krakow Gallery / Howard Yezersky Gallery, Boston, MA
	AWARDS
2011	Anonymous Was a Woman Award
	Art Matters Grant
	Yaddo, Saratoga Springs, New York: The Milton and Sally Michael Avery Residency for Artists
2009	Joan Mitchell Foundation Grant
2004	Lower East Side Printshop Publishing Residency, New York, NY
	Rhode Island School of Design Professional Development Grant
2001	The Louis Comfort Tiffany Foundation Award
1999	ART/ OMI International Art Residence, Ghent, NY
1998	Mary Ingraham Bunting Fellowship at Radcliffe College
	School of the Museum of Fine Arts Traveling Scholarship
1997	Provincetown Art Association and Museum National Annual Award, Juror: Milena Kalinovska.
1994	Geraldine R. Dodge & Ann and Graham Gund Fellowships, Skowhegan School of Painting and Sculpture
1984	Scholarship Recipient, Haystack Mountain School of Crafts, Deer Isle, ME
	PUBLIC COLLECTIONS
	Chambers Hotel, New York, NY
	Harvard University Art Museums, Cambridge, MA
	Goldman Sachs, New York, NY
	Jersey City Museum, NJ
	List Visual Art Center, MIT, Cambridge, MA
	Rose Art Museum, Brandeis University, Waltham, MA
	Simmonds College, Boston, MA
	Smith College Museum of Art, Northampton, MA
	Ritz Hotel, Boston, MA
	CATALOGUES/BOOKS
	Barber, Jennifer, ed, Salamander, Vol.4 No.2. Brookline, MA, 1997
	Bancroft, Shelly, ed. Strings Things and Pictures. Boston: Mills Gallery, Boston Center for the Arts, 1999
	Barkan, Hope, and Michael Wentworth. Frontline: Ten Contemporary Draughtsman in New England. Boston Athenaeum, 1999
	Beccaria, Marcella. Fictions. Turino, Italy: Galleria Guido Carbone, 1996
	Blacklow, Laura. New Dimensions in Photo Process. Boston: Focal Press/ Elsevier, 2007
	Blau, Phyllis, and Eric Vieland. 7 Objects/69/90. Amherst, MA: University Gallery, University of Massachusetts, 1990
	Davies, Diana. Photojourney. Belfast, Maine: Bag Lady Press, 1989
	Dunbar, Elizabeth. Declerate. Kansas City: Kemper Museum, 2005
	Gangitano, Lia. Josephine. New York: Thread Waxing Space, 2000
	Grunenberg, Christoph. Gothic: Transmutations of Horror in the Late Twentieth Century. Boston: MIT Press, 1997
	Hammond, Harmony. Lesbian Art in America: A Contemporary History. New York: Rizzoli, 2000
	Harris, Susan, and Jennifer Gross. Drawing the Question/Drawing a Conclusion. New York: Dorsky Gallery, 1998
	Hieber, Lutz and Martin Stather, Break the Rules. Mannheim, Germany: Mannheimer Kunstverein, 2008
	Jersey City Museum. First Look: The Essential Guide to Jersey City Museum. New Brunswick: Rutgers University Press, 2006
	Joy, Jenn with Helaine Posner, Sheila Pepe and Judy Pfaff, Mind the gap, Amherst, MA: University Gallery, University of Massachusetts, 2006
	Kistler, Ashley. On Site/Artists’ Projects: Under the F&G. Richmond, VA: Hand Workshop Art Center, 2003
	Klose, Stephanie and Cathy Maquire. Lion Brian Yarn: Just Bags. New York: Potter Craft, 2006
	Kushner, Marilyn S. The Future Must be Sweet – . New York: Lower East Side Printshop, 2008
	McFadden, David. Radical Lace and Subversive Knitting. New York: Museum Of Arts and Design, 2007
	McGregor, Jennifer. Verging on the Real. New York: Wave Hill Glyndor Gallery, 2001
	Nahas, Dominique. Shrink. Middletown, CT: Wesleyan University, 2000
	Posner, Helaine. High Hopes. Hamilton, NY: Colgate University, 2002
	Rush, Michael, and Dominique Nahas. Two Women: Carrie Moyer and Sheila Pepe. Lake Worth, FL: Palm Beach Institute of Contemporary Art, 2004
	Schaffner, Ingrid. The Photogenic: Photography through Its Metaphors in Contemporary Art. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2002
	Williams, Gregory. Arrested Ambition. New York: Apex Art Curatorial Program, 1999
	REVIEWS / ARTICLES
2011	Fisher, Naomi. “Critics Picks: A Room, in Three Movements.” artforum.com (January 2011)
	McQuaid, Cate. “Sheila Pepe’s Strings, Attached and Removed.” boston.com (26 January 2011)
	Staff, “Goings on About Town: Art: A Room, in Three Movements” The New Yorker (14 & 21 January 2011)
2010	Gschwandtner, Sabrina, “Yo Mama.” Interweave Knits, Spring 2010
2009	Weerts, Emily, “A Stitch in Time: Common Sense at testsite,” austinist.com (26 June 2009)
2008	Carlin, T.J., “Studio Visit: Sheila Pepe.” Time Out New York (4-10 September 2008): 98
	Carlin, T.J., “Empire of This.” Time Out New York (17-23 January 2008): 64
	Diane, in Elmerst, Queens: “Letter of the Week/ Reply All.” Time Out New York (18-24 September 2008): 4
	Hoge, Sharon King and Andreas Kornfeld. “Color in 3D.” Connecticut Cottages & Gardens (September 2008): 102.
	Kirk, Andrew. “Stringy art a work in progress.” Deseret Morning News (23 March 2008)
	Parnass, Larry. “Long Ties bind installation artist to Smith museum,” Daily Hampshire Gazette (12 September 2008)
	Slowinski, Dolores S., Metro Times: Detroit’s Weekly Alternative. (6 February 2008)
	Staff, “Color in 3D” opens April 18 at Westport Arts Center.” Norwalkplus.com (7 Apr 2008)
	“Westport Arts Center presents two public arts talks.” Norwalkplus.com (7 May 2008)
2007	Gardner, James, “ P.S. 1 in the Sun,” The New York Sun (June 28, 2007)
2006	Thorson, Alice. “Deliberate Deceleration,” Kansas City Star (January 8 2006)
2005	Rewdwine, Nancy. “Strings Attached,” Santa Cruz Sentinel (15 January 2005): B6
	Klose, Stephanie. "From Lap to Lift." Knit Knit 5 (2005)
	Nash, Margo. “A Family Portrait, in Crochet and Shoelaces,” The New York Times (August 7, 2005): NJ11
2004	Barnett, Kari. “Summer art exhibition opens at PBICA.” Lake Worth Forum (29 June 2004): 3
	Feinstein, Roni. "Carrie Moyer and Sheila Pepe at the Palm Beach Institute." Art in America (December 2004)
	“Galleries: An artist weaves her love of New York City into her work.” Boston Globe (12 March 2004)
	Glueck, Grace. “Art in Review, Bridge and Tunnel.” New York Times (5 March 2004)
	Halden, Loann. “Art, activism and intimacy.” TWN Weekly News (8 July 2004)
	Holliday, Frank. “A Partnership of Ideals.” Gay City News (5–11 August 2004)
	Joy, Jenn. ”Two Women: Carrie Moyer and Sheila Pepe.” Contemporary, no. 68 (2004): 67
	Lombardi, Dominick. "Students, Teachers and Mentors." New York Times (28 March 2004)
	Ryan, Dinah. “Sheila Pepe: Risking Reference, Allowing Allusion.” Sculpture Magazine 23, no. 7 (September 2004): 20
	Schwan, Gary. “Diverse offerings of ‘Two Women.’” Palm Beach Post (20 June 2004)
	Sheffield, Skip. “Two women artists…” Boca Raton/Delray Beach News (25 June–1July 2004): 13E
	Sjostrom, Jan. “Two-woman show depicts hands-on art.” Palm Beach Daily News (18–21 July 2004)
	Turner, Elisa. “A nuanced past is transformed into the present.” Miami Herald (16 August 2004)
	Yee, Ivette M. “The female perspective.” South Florida Sun-Sentinel (5 July 2004)
2003	"Bridge of Sighs and Shoestrings." Santa Barbara Independent 17, no. 868 (10–17 July 2003): 49
	Budick, Ariella. “Apprentices, Curators of their Mother’s Art.” Newsday (9 May 2003): B19
	Donelan, Charles. "New York City on a Shoestring." Santa Barbara News Press (18–24 July 2003): 6
	Dreiss, Joseph. “Richmond, Virginia, Sheila Pepe...” Art Papers (July/August 2003): 40
	Levan, Lori Don. “My Mother’s an Artist.” NY Arts (June/July/ August 2003): 50
	“My Mother’s an Artist.” New Yorker (26 May 2003)
	Perez, Rebecca. “My Mother’s an Artist...” Gotham Magazine (May 2003)
	Proctor, Roy. “Art supplies: a crochet hook and shoestring.” Richmond Times-Dispatch (2 February 2003)
	“Sculpture Forever.” Flash Art (July/September 2003): 105. 2002
	Scott, Andrea. “Goings On About Town.” New Yorker (27 May 2002): 18
	Levin, Kim. “Voice Choices...Sheila Pepe...” Village Voice (21 May 2002)
	Ryesky, Helene. "Photography Seen." Art Matters (April 2002): 20
	Salcman, Michael. "The Photogenic : Photography Through Its Metaphors in Contemporary Art." PEEkreview.net (2002)
	Schaffner, Ingrid. "The Unphotographable." Art on Paper (March-April 2002): 58
	Sozanski, Edward. "A Puzzle and a Provocation." Philadelphia Inquirer (10 March 2002): H-7
2001	Parker, Lauren. “Knock Knock.” Smock (Spring/Summer 2001): 100–107
2000	Buskirk, Martha. “Planning for Impermanence.” Art in America (April 2000): 116
	Lloyd, Ann Wilson. “Sheila Pepe at the Boston Center for the Arts.” Art in America (July 2000): 114
	Sirmans, Franklin. “Greg Coates … + Sheila Pepe…” Time Out New York (24 February–2 March 2000): 71
1999	Sherman, Mary. “Shape, Shadow prime viewers at Bunting.” Boston Sunday Herald (18 April 1999): 55
1998	Burns, Joe. “Shadow play shapes Sheila Pepe’s art.” Provincetown Banner (14 May 1998)
	Chambers, Christopher. “Picks.” NY Arts (May 1998): 42
	Kotz, Liz. “Shadow Dancing.” OUT Magazine (May 1998): 62
	Scott, Whitney. “Must Gallery.” New York Post (25 April 1998): 29.
1997	“Artists to translate…” Boston Globe (18 November 1997)
	Beccaria, Marcella. "Sheila Pepe: The Spaces Between." Artmedia (January/February 1997): 35
	Cotter, Holland. “Drawings and Paintings.” New York Times (19 September 1997): E37
	Gangitano, Lia. "Integer." Photography Quarterly 69, vol. 4, Center for Photography at Woodstock (1997)

	Raymond, David. "The Institute of Contemporary Art/Boston Gothic." Art New England (October/November 1997): 61
	Smith, Roberta. “The Horror: Updating the Heart of Darkness.” New York Times (1 June 1997): 33
	Snyder, Dean. "No B.I.A.S. exhibit celebrates artists' drawings." Bennington Banner (16 January 1997): 19
1996	Cohen, Joyce. "Art in a Natural Setting." Art New England (June/July 1996)
	Levi, Paolo. "La Mostra." La Repubblica (July 1996)
	Quaid, Cate. "'Eccentricities'...'Hippie' is an anonymous..." Boston Globe (14 March 1996)
	Mulatero, Ivana. "Storie delicatamente incoerenti." Corrieredell’arte ( 22 June 1996)
	Perrott, Jeff. "Fictions: Marcella Beccaria and the Boston-Torino Connection." Artsmedia (Summer 1996): 31
	"Pitura e scultura cercano nuovi liguaggi/Inquietani collages e ironiche 'Fictions'." La Stampa (27 June 1996)
	Staff. "Arrivano dagli USA Fra ironia, horror, e linee post-punk di giovani artisti." La Stampa (4 June 1996)
	Temin, Christine. “Perspectives.” Boston Globe (22 May 1996): 66
1995	MacDonald, Christine. "State of the Art: VideoSpace." Boston Phoenix (6 October 1995)
	Morgan, Robert C. "A New York Spring." Cover (Summer 1995): 63
	Wildman, David. "Artitsts draw freely on word hippie." Boston Globe (25 February 1995): C11
	Hoge, Sharon King and Andreas Kornfeld. “Color in 3D.” Connecticut Cottages & Gardens (September 2008): 102
1991	"Women's image that endures." Daily Hampshire Gazette (2 May 1991): 23
1990	Wright, Patricia. "Roaming galleries in search of..." Daily Hampshire Gazette (22 August 1990): 27
	TEACHING EXPERIENCE
2010-	Special Assistant to the Dean for Academic Affairs, School of Art and Design, Pratt Institute, Brooklyn, NY
2006- 2010	Assistant Chair, Fine Arts, Pratt Institute, Brooklyn, NY Adjunct Associate Professor: Graduate Symposium (Fall 2006-Fall 2010)
2002- 2006	Visiting/ Adjunct Associate Professor, Pratt Institute, Brooklyn, NY: Fine Arts, Junior Sculpture Studio, Graduate Drawing into Sculpture (Fall, 2005)
	Part-time Faculty, Rhode Island School of Design, Providence, RI: Experiments in Drawing, Graduate Seminar (Paint Dept); Senior Studio (Sculpt Dept.)
	From Sketch to Finish Wintersession, France (Paint Dept.): Making Multivalence (Graduate Studies)
2002	Visiting Artist/ Faculty, Virginia Commonwealth University, Richmond. Sculpture: Senior & Grad Critique (spring)
	Visiting Faculty, Bard College, Anandale-on-Hudson, NY: Looking Out Loud: Sculpture & Painting (spring)
2001	Part-time Faculty, Rhode Island School of Design, Providence, RI. Sculpture Department: Figuring the Body (fall)
	Visiting Faculty, Bard College, Anandale-on-Hudson, NY: Senior Studio, co-taught with Nayland Blake
	Faculty, The New School, New York, NY: Introduction to Drawing
	Visiting Faculty, Williams College, Williamstown, MA. Winter Study: Political Art, co-taught with Carrie Moyer
2000	Visiting Faculty, State University of New York, Purchase, NY. Drawing: Advanced (spring), Intermediate (fall)
	Co-teacher invited by Judy Pfaff, Bard College, Anandale-on-Hudson, NY: Advanced Sculpture (fall)
	Instructor, The Educational Alliance, New York, NY: Drawing (fall)
1999	Part-time Lecturer in Art, Williams College, Williamstown, MA: Accelerated Drawing I, Advanced Drawing, and Junior Studio Seminar
1998	Graduate Advisor, Massachusetts College of Art, Boston, MA. Sculpture (fall)
1997-98	Visiting Faculty, Massachusetts College of Art, Boston, MA: Advanced Sculpture Studio; Graduate Advisor Studio of Interrelated Media and Sculpture
1996-97	Visiting Assistant Professor of Art, Williams College, Williamstown, MA: Accelerated Drawing I, Drawing I, Junior Studio Seminar and Lecture Course: Expanding the Visual Field: 1945 to the Present
1995-96	Artist-in-Residence/ Faculty, Brandeis University, Waltham, MA: Introduction to Drawing, 3-D Design
	Guest Lecturer, Smith College, Northampton, MA: Vision and Visuality in Dance Composition
	Adjunct Faculty, School of the Museum of Fine Arts Boston, MA: On Copying & Appropriation
1994-95	Graduate Instructor, School of the Museum of Fine Arts, Boston, MA: Making Sculpture in Boston, Introduction to Video, New Student Seminar, Section Leader: Postmodernism and After
1993-94	Teaching Assistant, School of the Museum of Fine Arts, Boston, MA: Core Sculpture Seminar, Representing Genders and Sexualities
1990-92	Instructor, School of the George Walter Vincent Smith Art Museum, Springfield, MA
1985	Instructor, The Women's School, Cambridge, MA
	GUEST LECTURES/CRITIQUES
2011	Skowhegan WALKS event at the Metropolitan Museum of Art, New York, NY
2010	Yale University, New Haven, CT. Graduate Sculpture
	Textile Study Group of New York City, NY
	University of Massachusetts, Boston (Harbor Campus), MA
	Women's Art Institute at the Minneapolis College of Art and Design, MN
2009	Vermont Studio Center, Johnson, VT. Resident Artist
2008	Vermont Studio Center, Johnson, VT. Resident Artist
	Wayne State University, Detroit, MI, Artist Lecture
	Massachusetts College of Art, Boston, MA. Artist Lecture and Graduate Painting Critiques
2007	RISD, Providence, RI. Artist Lecture and Graduate Printmaking Critiques Graduate
	University of the Arts, Philadelphia, PA. Artist Lecture, Painting Critiques
	Sarah Lawrence College, Bronxville, NY. Artist Lecture, Painting Critiques
	Cornell University, Ithaca, NY. (Studio visit in Brooklyn)
	School of the Museum of Fine Arts, Boston, MA. Four Painters: Artist Lecture, Painting Critiques
2006	Spencertown Academy Arts Center, Spencertown, NY. Exhibition walkthrough with Carrie Moyer
	Williams College, Williamstown, MA. Lecture and Senior Majors Critiques
	Munson-Williams-Proctor Art Institute, Utica, New York. Visiting Artist Lecture
2005	NY Studio Program, New York, NY. Visiting Artist Lecture
	Rutgers, Mason Gross School of the Arts, New Brunswick, NY. Lecture and MFA Critiques
	UCSC, Santa Cruz, CA. Public Lecture and various Sculpture class meetings and discussions
2004	Rhode Island School of Design, Providence, RI. Digital Media Department MFA Critique
	University of the Arts, Philadelphia, PA. MFA Final Critique
2003	University of Tennessee, Knoxville, TN. Lecture and MFA Critiques
	Montclair State University, Upper Montclair, NJ. Lecture and MFA Critiques
	Penn State University, State College, PA. School of Visual Arts Lecture Series
	Montclair State University, Upper Montclair, NJ, Artforum Lecture Series
	Virginia Commonwealth University, Richmond, VA. Sculpture Department, MFA Studio Visits
2002	New York University, New York, NY. Performance Studies. Fast Cheap and Out of Control: Ephemeral
	NY Studio Program, New York, NY. Lecture and Critiques
2000	Rhode Island School of Design, Providence, RI. Junior Sculpture Studio
	Pratt Institute, New York, NY, invited by John Monti, Senior Seminar
	Rhode Island School of Design, Providence, RI. Department of Architecture, invited by Frano Volich
	Harvard University, Cambridge, MA. G.S.D. Dry Wall, invited by Sheila Kennedy
	New York University, New York, NY. Gallery Talk at Thread Waxing Space, invited by Beverly Semmes
1999	Harvard University, Cambridge, MA. V.E.S., Drawing, invited by Annette Lemieux
	Parsons School of Design, New York,, NY. Senior Studio, visiting Instructor for Heide Fasnacht
	Massachusetts College of Art, Boston, MA. Graduate Seminar
1997-98	Massachusetts College of Art, Boston, MA. Critic for Sculpture Semester End Review Boards
	Quinipiac College, Hamden, CT. invited by Lynda Benglis
	1997-98 School of the Museum of Fine Arts, Boston. Graduate Reviews
	Rose Art Museum, Waltham, MA. An Artists View: Joseph Marioni Paintings
	School of the Museum of Fine Arts, Boston, MA. On the Exhibition Queer Ground
	Smith College, Northampton, MA. Guest Lecturer, Art and Music (spring and fall semester)
	School of the Museum of Fine Arts, Boston, MA Second Year MFA Seminar
	Williams College Department of Art, Williamstown, MA, Senior Tutorial
1996-97	Institute of Contemporary Art, Boston, MA. Gallery talk: Gothic with curator Christoph Grunenberg
	Rhode Island School of Design, Providence, RI. Queer Arts Fest
	Institute of Contemporary Art, Boston, MA. Artists-On Artists Gallery Talk: Cildo Meireles
	School of the Museum of Fine Arts, Boston, MA. MFA Reviews
1995-96	Parsons School of Design, New York, NY. Junior Studio
	School of the Museum of Fine Arts, Boston, MA. MFA Reviews
	Massachusetts College of Art, Boston, MA. Critic for Sculpture Semester End Review Boards
1994-95	Harvard University, Cambridge, MA. V.E.S., Sculpture
	School of the Museum of Fine Arts, Boston, MA. Guest Instructor, Object a Week
	PANELS/SYMPOSIA
2010	“Mapping,” Academic Initiative Committee of the Faculty Senate, Pratt Institute, New York, NY.
2008	“Making Art in the World,” Pratt Institute, New York, NY. Moderator.
2007	“The Future of Feminism.” Brooklyn Museum, Brooklyn, NY.
	“Art Partners: The Erotics of Collaboration.” College Art Association Conference, New York, NY.
	“Cracking the Contemporary Art Code 2007.” Museum of Fine Arts, Boston, MA.
2004	“A Conversation with Sarah McEneaney.” Institute of Contemporary Art, Philadelphia, PA.
2003	“Radically Local.” Grace Theater in conjunction with Hand Workshop Art Center, Richmond, VA.
2002	“Artists Who Curate.” Nomads + Residents at 16 Beaver, New York, NY.
	“Slide Show: 7 Artist Talks.” Triple Candie, New York, NY.
2001	“Notes from the City of Ambition.” paper delivered for the conference: Art Spaces in Gender Perspective, University of Bielefeld, Germany.
1998	“Degrees of Narrative: Visual Artists and Writers.” panel discussion organized for Rose Art Museum, MA.
	EXHIBITIONS CURATED
	Mother May I?, Campbell Soady Gallery, New York, New York. 2007
	No Lemons, No Melon, David Krut Projects, New York, NY. April 2006 with Carrie Moyer
	My Mother is an Artist, Gallery at the Educational Alliance, New York, NY. 2003
	Close to You, Gallery @ Green Street, Boston, MA.1999
	WRITING/PUBLICATIONS
	Liquor Amnii 2: Notes, Mobius Artists Group & Macedonian Artist. Providence: Convergence X Festival, 1997.
	M/E/A/N/I/N/G #4: Feminist Forum (2007) Online: http://writing.upenn.edu/pepc/meaning/04/
	New Prints: Autumn 2007, International Print Center, New York, NY. (Exhibition essay)
	“Featured Artist Sebastiaan Bremer” Lower East Side Printshop Newsletter Winter, New York, 2007.
	Taxing. Sarah McEneaney. Philadelphia: ICA, University of Pennsylvania, 2004.
	Thesis Exhibitions 2002. Anderson Gallery, School of Arts/ VCU, Richmond. (Catalogue introduction)
	To Soar: An Interview with Nancy Spero, Trivia: A Journal of Ideas. Amherst (Issue 16/17, fall 1990).
	Reviews for Gay City News, New York, 2006: “Painter, Lesbian, Feminist … Louise Fishman,” Volume 5, number 8
	“The Operation of Collage.. Geoffrey Hendrick and Berty Skuber,” vol. 5
	Reviews for Gay City News, New York, 2005: “Sisterhood, Then and Now…Nancy Spero and Mary Kelly,” vol. 4, issue 46
	“Monumental Disparities… Sam Durant,” vol. 75, issue 41
	“Kim Jones’ Long War,” vol. 75, issue 37
	“Women Challenge a Male Domain… Gretchen Bender, Deb Kass & Mary Ellen Strom” vol. 4, issue 27
	“Eruptions Galore… Heide Fasnacht,” vol. 4, issue 2
	“Rubbery Remembrances… Diana Puntar,” vol. 4, issue 16
	“The Immediacy of Niagara… Cadence Giersbach,” vol. 4, issue 13
	“Harlequins Stripped of Romance… Jennifer Cohen,” vol. 4, issue 8
	Reviews for Gay City News, New York, 2004: “Soul of the machine… Saint Clair Cemin,” vol. 3, issue 345
	“Opulence as …Kristen Hassenfeld,” vol. 3, issue 340
	“Portraiture in Crisp… Karel Funk,” vol. 3, issue 331
	“What’s in a Genre...David Humphrey,” vol. 3 issue 317
	“Virtuosity and Seduction.. Domingo Barreres,”vol. 3 issue 301
	“Season to Create Protests,” vol. 3 issue 36
	Reviews for Gay City News, New York, 2003: “Established but still Feisty.. Williamsburg,” (feature) vol. 2 issue 47
	“Impressionism steeped.. David Korty,”vol. 2, issue 47
	“Brooklyn text… Joe Amrhein,” vol. 2, issue 44
	“Dressing... Senga Nengudi,”vol. 2, issue 40

Sue Scott Gallery

Sheila Pepe

Selected Works

Exhibitions

Press

Bio