| SOLO EXHIBITIONS |
|||
| 2012 | Still, Life., PARTICIPANT, Inc., New York, NY | ||
| 2011 | Shulie: Film and Stills by Elisabeth Subrin, The Jewish Museum, New York, NY | ||
| Elisabeth Subrin, VOLTA NY, New York, NY | |||
| 2010 |
Elisabeth Subrin: Her Compulsion to Repeat, Sue Scott Gallery, New York, NY | ||
| SOLO SCREENINGS |
|||
| 2012 |
On photography: Elisabeth Subrin's The Fancy, San Francisco Cinematheque (in conjunction with Francesca Woodman, San Francisco Museum of Modern Art), San Francisco, CA |
||
| 2010 | Elisabeth Subrin: Early Works, Sue Scott Gallery, New York, NY | ||
| Elisabeth Subrin, Sixth Annual Stan Brakhage Conference, Boulder, CO | |||
| 2009 | Lost Tribes: Elisabeth Subrin, Light Industry at X-Initiative, Dia/Chelsea, New York, NY | ||
| Replica Remake Radical (with Bea Santiago-Munoz), Filmoteca Nacional, San Juan, PR | |||
| 2007 | Film Forum, Los Angeles, CA | ||
| 2005 | Institute of Contemporary Art, Boston, MA | ||
| 2003 | Harvard Film Archives, Cambridge, MA | ||
| 2002 | Film and Video By Elisabeth Subrin, The Film Center at The Art Institute of Chicago, Chicago, IL | ||
| Memoirs of a Difficult Daughter: Works By Elisabeth Subrin, Aurora Picture Show, Houston, TX | |||
| The 48th Robert Flaherty Film Seminar, Poughkeepsie, NY (Featured Artist) | |||
| The Center for Media, Culture and History, New York University, New York, NY | |||
| 2001 | Northwest Film Center, Portland Museum of Art, Portland, OR | ||
| The Multiple Personae of Francesca Woodman and Isabelle Eberhardt: Experimental Bios by Elisabeth Subrin and Leslie Thornton, Yeurba Buena Center for the Arts, San Francisco, CA | |||
| 2000 | Memoirs of a Difficult Daughter: Recent Works by Elisabeth Subrin, Thread Waxing Space, New York | ||
| Vienna International Film Festival, Vienna, Austria | |||
| 1999 | Museum of Modern Art, New York, NY | ||
| Parallel Lies: Imagining Histories and The Female Double, Pleasuredome, Toronto, Canada | |||
| 1998 | San Francisco Cinematheque, CA | ||
| Film Forum, Los Angeles, CA | |||
| The Film Center at The Art Institute of Chicago, Chicago, IL | |||
| 1996 | True Lies (with Leah Gilliam), Randolph Street Gallery, Chicago, IL | ||
| GROUP EXHIBITIONS |
|||
| 2011 | Neighbo(u)rhood, The Mattress Factory, Pittsburgh, PA |
||
| And Yet She Moves: Reviewing Feminist Cinema, The Walker Arts Center, Minneapolis, MN |
|||
| Fittja Open, Botkyrka Knosthall, Stockholm, Sweden | |||
| 2010 | Planet of Slums, Third Streaming (3S), New York, NY | ||
| Greater New York, PS1/MoMA, Long Island City, NY | |||
| Let's Dance, MAC/VAL, Musée d'Art Contemporain du Val-De-Marne, France | |||
| Video New York, Futura- Center for Contemporary Art, Val De Marne, France | |||
| Lush Life: Chapter Two: Liar, On Stellar Rays, co-curated by Franklin Evans and Omar Lopez-Chahoud, New York, NY | |||
| Planet of Slums, Mason Gross Gallery at Mason Gross School of the Arts, Rutgers University, NJ | |||
| The Reluctant Apparition, Sue Scott Gallery, New York, NY | |||
| 2009 | Made in the USA at Pete’s Motors, Great Barrington, MA |
||
| 2008 | Technically Sweet, PARTICIPANT, INC., New York, NY | ||
| Technically Sweet, Ovegaden Institute of Contemporary Art, Copenhagen, DK | |||
| 2007 | Invisible Mend, LUX , London, England | ||
| 2006 | Cinema Cavern, PS1, Long Island City, NY | ||
| 2005 | Inside Out Loud: Kemper Art Museum, St. Louis, MO | ||
| Video Bites, Queensland Art Gallery, South Brisbane, Queensland, Australia | |||
| 2004 | Rear View Mirror, Kettle’s Yard, Cambridge, UK | ||
| The Past Recaptured, Center for Curatorial Studies, Bard College, Tivoli, NY | |||
|
American Tableaux, Selections from the Permanent Collection, Walker Art Museum, Minneapolis, MN, touring exhbition to: University of Iowa Museum of Art, Iowa City, IA; Winnepeg Art Gallery, Winnepeg, Manitoba, Canada; Miami Art Museum, Miami, FL; Delaware Art Museum, Wilmington, DE |
|||
| 2003 | Fate of Alien Modes, Film Museum & Secession, Vienna, Austria | ||
| Video Windows, curated by Shirin Neshat, Stefan Stux Gallery, New York, NY | |||
| 2000 | The Whitney Biennial, The Whitney Museum of American Art, New York, NY | ||
| 1999 | The Cool World: Film and Video in America 1950-2000 (The American Century: Art & Culture 1900-2000), Whitney Museum of American Art, New York, NY | ||
| 1996 | Girlhood, Dis-Orderred, The Geffen Contemporary at Museum of Contemporary Art, Los Angeles, CA (in conjunction with Private TV/Public Living Rooms: A New Media Exhibition) | ||
|
ARTIST PRESENTATIONS AND TALKS |
|||
| 2011 | Vienna Academy of Fine Arts, Vienna, Austria | ||
| 2010 | Lost Tribes and Shulie by Elisabeth Subrin, in conversation with Guest Curator Ed Halter, The Sixth Annual Brakhage Symposium, University of Colorado, Boulder, Boulder, CO | ||
| K8 Hardy and Elisabeth Subrin, Greater New York Cinema, PS1, Queens, NY | |||
| Gallery Talk: Elisabeth Subrin, The Jewish Museum, New York, NY | |||
| 2009 | Archives Fever: An Evening with Elisabeth Subrin, Film Studies Department, Bryn Mawr College, Bryn Mawr, PA | ||
| Escuaela de Artes Plastica de Puerto Rico (with Bea Santiago), San Juan, Puerto Rico | |||
| 2007 | Visiting Filmmaker Series, Film Studies, Yale University, New Haven, CT | ||
| 2006 | The Films of Elisabeth Subrin, Film and Video Center, University of California, Irvine | ||
| Fine Arts Lecture Series, Otis College of Art and Design, LA | |||
| Pitzer Cinematheque, Claremont, CA | |||
| 2005 | Department of Art, Northeastern University, Boston, MA | ||
| Department of Film and Video, Bennington College, VT | |||
| School of the Arts, Virginia Commonwealth University, Richmond, VA | |||
| 2004 | Visiting Artist Lecture Series, University of Maryland, Baltimore, MD | ||
| Scholar’s Club, New York University, New York, NY | |||
| Keynote Speaker, Sarah Lawrence College Experimental Film Festival, Bronxville, NY | |||
| 2003 | Department of Media Arts, New Jersey City University, Jersey City, NJ | ||
| Massachusetts College of Art Film Society, Boston, MA | |||
| 2002 | Memoirs of a Difficult Daughter, Department of Radio, TV, Film, University of Texas, Austin, TX | ||
| Department of Film and Media, Hunter College, New York, NY | |||
| 2001 | Humanities Gender Group, Women's Studies Program, Rutgers University, Rutgers, NJ | ||
| 2000 | The Claremont Colleges, Clarement, CA | ||
| 1999 | Visiting Lecture Series, Marlboro College, Brattleburo, VT | ||
| Women's Studies Research Center at The Five Colleges, South Hadley, MA | |||
| Film Society, Massachusetts College of Art, Boston, MA | |||
| 1998 | Department of Women's Studies, University of Lancaster, England | ||
| 1997 | Rhode Island School of Design, Providence, RI | ||
| 1996 | Sleeth Gallery, West Virginia Wesleyan College, VA | ||
| GROUP SCREENINGS AND FILM/VIDEO FESTIVALS |
|||
| 2011 | A Dialectic of Sex: A Reproduction, The Showroom Gallery, London, UK | ||
| 2010 | Laura Parnes and Elisabeth Subrin, LOOP BArcelona, Barcelona, Spain | ||
| K8 Hardy, Wynne Greenwood and Elisabeth Subrin, Greater New York Cinema, PS1, Queens, NY | |||
| 2009 | Portland Experimental Film and Video Art Festival, Portland, NY | ||
| 2008 | Body Politics, New Britain Museum of American Art, New Britain, CT | ||
| Am I Repeating Myself?, The Power Plant, Toronto, ON, Canada | |||
| After School Special (with Alex Bag and Kika Thorne), Cineworks, Vancouver, CA | |||
| Animal, Mineral, Vegetable: Recent Experimental Documentaries, Pacific Film Archive, Berkeley, CA | |||
| Ersatz Facts: The Pseudo-Documentary, Artist Television Access, San Francisco, CA | |||
| 2007 | Festival De Cine Documental, Pamplona, Spain | ||
| Photographers Movies; Movies about Photographers, Biennale of Photography, Malmo, Sweden | |||
| The Plastic Self, Orchard Gallery, New York, NY | |||
| Feminale Women’s Video Festival, Koln, Germany | |||
| If I Can’t Dance, I Don’t Want To Be Part of Your Revolution, MuHKA_media, Antwerp, Belgium | |||
| Cine Test, Museo Nacional Centro de Arte Reina Sofia & Canopia Gestion Cultural, Madrid, Spain | |||
| 2006 | The 44th New York Film Festival, Lincoln Center, New York, NY | ||
| Feedback: The Video Data Bank, Museum of Modern Art, New York, NY | |||
| Women Make Waves Film and Video Festival, Taipei, Taiwan | |||
| Aurora Picture Show, Houston, TX | |||
| Now Again the Past: Rewind Replay Resound, Carnegie Art Museum, North Tonawanda, NY | |||
| Boomerang: Three Short Remakes, Hallwalls Contemporary Art Center, Buffalo, NY | |||
| 2005 | Artists’ Vision of Film Series, Institute of Contemporary Art, Boston, MA | ||
| 2004 | Women in the Director’s Chair, Chicago, IL | ||
| Outfest Film Festival, Los Angeles, CA | |||
| Austin Gay and Lesbian International Film Festival, Austin, TX | |||
| Feast Film Festival, Tampa, FL | |||
| 2003 | The 22nd Black Maria Film and Video Festival , Jersey City, NJ (multiple locations, nationally) | ||
| Featured Video Artist, Kentucky Women Writers Conference, Lexington, KY | |||
| Microwave International Media Art Festival, To Kwa Wan, Kowloon, Hong Kong | |||
| Cornell Cinema, Ithica, NY | |||
| The New Festival, New York, NY | |||
| Frameline, San Francisco, CA | |||
| Videolisboa, Lisboa, Portugal | |||
| New Jersey City Museum, Jersey City, NJ | |||
| 2002 | Walker Art Center, Minneapolis, MN | ||
| Paris Photo, Paris, France | |||
| Close Up, SixPack Films, Vienna, Austria | |||
| Pixelvision, Balagan Experimental Film and Video Series, Boston, MA | |||
| Harn Museum of Art, Gainsville, FL | |||
| Dietmar Schwaertz Gallery, Vienna, Austria | |||
| Cheekwood Museum of Art, Nashville, TN | |||
| The School of the Museum of Fine Arts, Boston, MA | |||
| Anthology Film Archives, New York, NY | |||
| Cinematexas Film Festival, Austin, TX | |||
| Sundance Channel, New York, NY | |||
| 2001 | International Film Festival Rotterdam, The Netherlands | ||
| Drama Queens: Women Behind the Camera, Guggenheim Museum, New York, NY | |||
| Scene Images: (Auto) Biographical Aspects of Contemporary Media Production, Kunsthalle Exnergasse, Vienna, Austria | |||
| VIPER – Int’l Festival for Film, Video & New Media, Basel, Switzerland | |||
| Transmediale, International Media Arts Festival, Berlin | |||
| European Media Arts Festival, Osnabruch, Germany | |||
| San Francisco Cinematheque, San Francisco, CA | |||
| Black Maria Film and Video Festival (multiple locations, nationally) | |||
| Film Forum, Los Angeles, CA | |||
| Watching People Watching You, curated by Lauren Cornell,The British Council in Poland, Warsaw, Poland | |||
| Made in the 20th Century: New Video from Art & Tech, Wexner Center for the Arts, Columbus, OH | |||
| 2000 | New York Video Festival, Lincoln Center, New York, NY | ||
| The Cool World: Film and Video in America 1950-2000, The Whitney Museum, NY | |||
| 1999 | Walker Art Center, Minneapolis, MN | ||
| Cornell Cinema, Ithica, NY | |||
| 1998 | Rotterdam International Film Festival, The Netherlands | ||
| London International Festival of the Moving Image, London, England | |||
| Wexner Center for the Arts, Columbus, OH | |||
| Margaret Mead Film Festival, American Museum of Natural History, NY | |||
| Montreal Int’l Festival of Nouveau Cinema, Montreal, Quebec | |||
| Pacific Film Archives, Berkeley, CA | |||
| Harvard Film Archives, Cambridge, MA | |||
| Out of the Ordinary: 25 Years, 25 Films, Northwest Film and Video Center, Portland, OR | |||
| Bent Is Beautiful: Sadie Benning, Elisabeth Subrin, Nguyen Tan Hoang, University of North Carolina & Mr. Lady Records, Durham, NC | |||
| 1997 | the 35th New York Film Festival, New York, NY | ||
| Museum of Contemporary Art, Chicago, IL | |||
| Walker Art Center, Minneapolis, MN | |||
| Museum of Photography/Museum of Contemporary Art, Antwerp, Belgium | |||
| 1996 | New York Video Festival, Lincoln Center, New York, NY | ||
| Festival du Noveau Cinema de Montreal, Montreal, Quebec | |||
| European Media Art Festival, Osnabruck, Germany | |||
| Video Art: The Chicago 15, Pacific Film Archives, Berkely, CA | |||
| World Wide Video Festival, The Hague, The Netherlands | |||
| American Film Institute Video Festival, Los Angeles, CA | |||
| Northwest Film Center, Portland Museum of Art, Portland, OR | |||
| Women Filmmakers Present, Museum of Fine Arts, Boston, MA | |||
| Institute of Contemporary Art, London, England | |||
| New Langton Arts Center, San Francisco, CA | |||
| IMPAKT Festival of Film, Video and New Media, Utrecht, The Netherlands | |||
| No More Sweets for You: New Films and Videos, Institute of Contemporary Art, Boston, MA | |||
| Sapphire and The Old World: New Works by Leslie Thorntion, Leah Gilliam & Elisabeth Subrin, Kino-Eye Cinema, Chicago Filmmakers, Chicago, IL | |||
| Walker Art Center, Minneapolis, MN | |||
| Women in the Director’s Chair Film/Video Festival, Chicago, IL | |||
| VideoTENSIONS; VideoGRRLS, University of Arizona/Arizona Media Arts Center, Tuscon, AZ | |||
| Language and Disorder, curated by Kristine Diekman (touring, multiple locations) | |||
| 1995 | The American Center, Paris, France | ||
| Anthology Film Archives, New York, NY | |||
| The Film Center of The Art Institute of Chicago, Chicago, IL | |||
| MIX: New York Gay and Lesbiam Experimental Film Festival, New York, NY | |||
| No More Sweets for You: New Films and Videos, Randolph St. Gallery, Chicago, IL | |||
| 1989-94 | Boston Film/Video Foundation, Boston, MA | ||
| Moderna Galerija Ljubijana, Ljubijana, Yugoslavia | |||
| Medien Werkstaat, Vienna, Austria | |||
| European Media Art Festival, Osnabruck, Germany | |||
| KOB 8 Filmburo, Mainz, Germany | |||
| Festival de Video Musical, Vitora-Gasteiz, Spain | |||
| Mobius, Boston, MA | |||
| The Space Gallery, Boston, MA | |||
| GRANTS, FELLOWSHIPS AND AWARDS |
|||
| 2011 | Fellow, The MacDowell Colony, Peterborough, NH | ||
| 2010 | Artist Resdiency, Denniston Hill, Woodridge, NY | ||
| 2007 | Fellow, The MacDowell Colony, Peterborough, NH (also 2002, 2003, 2006) | ||
| 2006-2007 | Fellowship, The Annenberg Foundation & The Sundance Institute, Los Angeles, CA | ||
| 2005-2007 | Film Commission, The MacDowell Colony Centennial Celebration, New York, NY | ||
| 2004-2005 | The Rockefeller Foundation, Media Arts Fellowship, New York, NY | ||
| 2003 | Fellow, Sundance Feature Filmmaker’s Lab, Sundance Institute, UT | ||
| Fellow, Sundance Screenwriter’s Lab, Sundance Institute, UT | |||
| Director’s Choice, The 22nd Black Maria Film and Video Festival, Jersey City, NJ | |||
| 2002-2003 | Fellow, John Simon Guggenheim Memorial Foundation, New York, NY | ||
| 2001 | Viper International Award for Film/Video, Basel, Germany | ||
| 2nd Prize, Black Maria Film and Video Festival, Jersey City, NJ | |||
| Fellow, Yaddo, Saratoga Springs, NY | |||
| Fellowship, Creative Capital Foundation, New York, NY | |||
| 2000 | Best Experimental, New England Film and Video Festival, Boston, MA | ||
| 1999 | Art and Technology Residency, Wexner Center for the Arts, Columbus, OH | ||
| Fellowship, The Andrea Frank Foundation, New York, NY | |||
| 1998 | Los Angeles Film Critics Association Awards: “The Douglas Edwards Independent/Experimental Film/Video Award: Shulie” | ||
| “Best of 1997,” Film Comment Magazine, January | |||
| Faculty Research Grant, Amherst College, Amherst, MA | |||
| 1997 | Fellowship in Media Arts, Illinois Arts Council, Chicago, IL | ||
| Director’s Citation, Black Maria Film and Video Festival, Jersey City, NJ | |||
| "Best of 1996,” Film Comment Magazine, January | |||
| Art and Technology Residency, Wexner Center for the Arts, Columbus, OH | |||
| 1996 | First Place Experimental, USA Film Festival, Dallas, TX | ||
| Juror’s Choice, 1996 Charlotte Film and Video Festival, Charlotte, NC | |||
| Grantee, Community Arts Assistance Program, City of Chicago Department of Cultural Affairs, Chicago, IL | |||
| Director’s Citation, Black Maria Film and Video Festival, Jersey City, NJ | |||
| 1995 | Grantee, Regional NEA Fellowship, Center for New Television, Chicago, IL | ||
| 1993 | Trustee Fellowship, two-year full scholarship for the MFA Video Program, The School of the Art Institute of Chicago, Chicago, IL | ||
| 1990 | Morton Godine Fellowship, Massachusetts College of Art, Boston, MA | ||
| BIBLIOGRAPHY/ PRESS |
|||
| 2011 | Kristen M. Jones, "Elisabeth Subrin", Frieze Magazine, Issue 140 June-August | ||
| Eryn Loeb, "Vision and Revision", Tablet Magazine, January 11 | |||
| Tom McCormick, "Your Last Ten Days to catch Elisabeth Subrin's Shulie at the Jewish Museum" | |||
| Paddy Johnson, "Volta", Art Fag City, March 7 | |||
| Kurt Shaw, "Neighbo(u)rhood explores identity in a Pittsburgh way," Pittsburgh Tribune-Review, June 1 | |||
| Stephen Truax, "Feeling Civilized at the 2011 Volta Art Fair", March 4 | |||
| Bradford Nordeen, "Fanzine Does New York Art Week 2011", March 4 | |||
| 2010 | "Critics' Pick: Best in Film (Elisabeth Subrin at Sue Scott Gallery)", Time Out New York, February | ||
| Nick Stillman, "Elisabeth Subrin at Sue Scott Gallery", Artforum, May | |||
| "Goings on About Town: Shulie: Film and Stills," The New Yorker, October 25 | |||
| Ed. Mandy Merck and Stella Sandford, Further Adventures of The Dialectic of Sex: Critical Essays on Shulamith Firestone, Breaking Feminist Waves Series, Palgrave MacMillan, New York | |||
| Ed Halter, "Again," Elisabeth Subrin: Her Compulsion to Repeat, Sue Scott Gallery | |||
| Nicholas Rapold, "Live Work," Artforum, April | |||
| Alexandra Juhasz, "Taking/Fakin Woodstock," Huffington Post, September 26 | |||
| Christian Viveros-Faune, "PS1's Greater New York," The Village Voice, June | |||
| 2008 | Ed. Yvette Brackman & Maria Finn, Technically Sweet: One Script/Thirteen Points of View/Allusions-Endless, Danish Arts Council & Plum Velvet, Copenhagen, DK | ||
| 2006 | Alex Juhasz & Jesse Lerner, “Phony Definitions and Troubling Taxonomies of the Fake Documentary,” F Is For Phony: Fake Documentaries and Truth’s Undoing, Visible Evidence Series, University of Minnesota Press | ||
| 2005 | Jean Petrolle & Virginia Wesman, Ed. “Introduction,” Women and Experimental Filmmaking, University of Illinois Press | ||
| 2004 | Alka R. Tandon and Meghan M. Dolan, “15 Professors that are Changing the World: Punk Auteur Takes Over the Airwaves,” The Harvard Crimson, March | ||
| 2003 | Roundtable conversation on Francesca Woodman, Art Journal, Summer | ||
| Astria Suparak, “Queens of All Media,” Heeb Magazine, Volume 3, Spring | |||
| 2002 | Paula Rabinowitz, “Medium Uncool: Women Shoot Back; Feminism, Film and 1968—A Curious Documentary,” Science and Society, Volume 65, Spring | ||
| 2001 | Josh Kun, “False Document,” San Francisco Bay Guardian, Jan. 31 | ||
| Pablo de Ocampo, “Inside the Ghost: Elisabeth Subrin’s Haunting Feminism,” The Portland Mercury, Vol 1, No. 45, April 12-18 | |||
| Rachel Greene, “Elisabeth Subrin, The Fancy,” BOMB, September | |||
| Ed Halter, “Jumping Out a Window is a Way of Going Home: Incomplete Sketch of an Essay for Elisabeth Subrin,” Cinematexas, September | |||
| Holly Willis, “Filmforum: Fancy," LA Weekly, March 30 | |||
| 2000 | Elizabeth Freeman, “Packing History, Count(er)ing Generations,” New Literary History, 2000, 31: 727-744 | ||
| Nicole Armour, “Disappearing Acts: Elisabeth Subrin,” Film Comment, pp 55-57 | |||
| Lia Gangitano, “File Under ‘Heros’,” Thread Waxing Space, October | |||
| Amy Taubin, “Video Vanguard; Mensch Musician,” The Village Voice, July | |||
| A.O. Scott, “Video as Art in a World On Tape," The New York Times, July | |||
| Ed Halter, “New York Video Festival,” New York Press, July 19-25 | |||
| Dave Kehr, “Taking Chances with Emerging Film and Video Artists,” New York Times, March 24 | |||
| Kent Jones, “Whitney Biennial Film/Video Program,” Artforum, May | |||
| Kristin M. Jones, “Whitney Biennial,” Frieze, Summer, Issue 53 | |||
| Daniel Belasco, “The Jewish NU WAVE,” The Jewish Week, July 21 | |||
| Jennifer Baumgardner and Amy Richards, Manifesta: young woman, femism and the Future (New York: Farrar, Straus and Giroux), pp. 116, 135, 204-205, 217 | |||
| 1999 | Peter Goddard, “Shot-for-Shot remake remarkably unsettling,” The Toronto Star, February 26 | ||
| Paul Arthur, “The Avant-Garde in ’98,” Film Comment, Jan/Feb | |||
| Bill Horrigan, “Shulie,” for “The Shock of the View: Artists, Audiences, and Museums in the Digital Age,” Walker Art Center, Minneapolis, MN | |||
| Johnny Ray Huston, “Watching You Watching Me,” San Francisco Bay Guardian, January | |||
| Manohla Dargis, “Manohla Dargis Hit List,” LA Weekly, Jan 8 | |||
| Josh Kun, “Aura: The Remix,” San Francisco Bay Guardian, March 3 | |||
| Scott Stark, “The Top Ten Avante-Garde Films of 1998,” Film Threat | |||
| 1998 | B. Ruby Rich, “Fanning the Firestone: Elisabeth Subrin’s Shulie looks back with envy,” San Francisco Bay Guardian, February 25 | ||
| Jonathan Rosenbaum, “Remaking History (review of Shulie)," The Chicago Reader, Nov. 20 | |||
| Kate Haug, “Time Frame,” Afterimage, Nov/Dec | |||
| Amy Taubin, “More, More, More,” Village Voice, December 31 | |||
| Manohla Dargis, “Elisabeth Subrin in person,” LA Weekly, February 27 | |||
| Mikki Halpin, “Don’t Look Back,” Filmmaker Magazine, July | |||
| Amy Kroin, “Cases of Mistaken Identity,” The Valley Advocate, Aug. 13 | |||
| Cara Jepson, “Holding a mirror to the ‘60s,” The Chicago Reader, Nov. 20 | |||
| B. Ruby Rich, Chick Flicks: Theories and Memories of the Feminist Film Movement, pp. 383-384 | |||
| Betsy Sherman, “Critic’s Tip: Elisabeth Subrin,” The Boston Globe, Mar. 20 | |||
| Lia Gangitano, “Transience and Sentimentality,” Institute of Contemporary Art & Stuff Magazine, Boston | |||
| 1997 | Jaqueline Goss, “Reading Subrin’s Swallow,” ebr7:image & narrative | ||
| 1996 | Cecilia Dougherty, “No One Said It Would Be Easy,” New Art Examiner | ||
| Fred Camper, “Critic’s Choice,” The Chicago Reader,” May 31 | |||
| Lawrence Toppman, “Best of film festival’s first week,” Charlotte Observer | |||
| Betsy Sherman, “ICA films take playful look at the everyday,” The Boston Globe | |||
| Tina Wasserman, “Leah Gilliam/Elisabeth Subrin,” New Art Examiner | |||
| 1995 | Jonathan Rosenbaum, Review, The Chicago Reader, November 17 | ||
| Amy Taubin, “Edgy, Sexy, Cool: Mix 95,” The Village Voice, November 7 | |||
| Michelle Loubert, Review, The Link, Concordia, September 26 | |||
| Jonathan Rosenbaum, “Critic’s Choice: No More Sweets for You,” The Chicago Reader, May 10 | |||
|
CATALOGUES & PUBLICATIONS
|
|||
| 2010 | Elisabeth Subrin: Her Compulsion To Repeat, Essay by Ed Halter. Sue Scott Gallery, publisher | ||
| 2000 | Memoirs of a Difficult Daughter, Essay by Lia Gangitano. Thread Waxing Space, publisher | ||
| EDUCATION |
|||
| 1995 | MFA The School of the Art Institute of Chicago, Chicago, IL | ||
| 1990 | BFA Massachusetts College of Art, Boston, MA | ||
| TEACHING |
|||
| 2009-Present | Assistant Professor, Film and Media Arts Department, Temple University, Philadelphia, PA | ||
| 2007-2008 | Visting Lecturer, department of Film and Media Arts, Temple University, Philadelphia, PA | ||
| 2006-2007 | Visiting Critic, Yale University School of Art, New Haven, CT | ||
| 2005-2006 | Visiting Artist, School of Art, The Cooper Union, New York, NY | ||
| 2006 | Visiting Assistant Professor, Bennington College, Bennington VT | ||
| 2002-2005 | Visiting Lecturer on Visual and Environmental Studies, Harvard University, Cambridge, MA | ||
| 2005 | Distinguished Visiting Graduate Professor, Department of Photography and Film, School of the Arts, Virginia Commonwealth University, Richmond, VA | ||
| 2001-2002 | Visiting Scholar, Center for Media, Culture & History, New York University, New York, NY | ||
| Visiting Assistant Professor in Film/Video, English Department, Amherst College, Amherst, MA | |||
| 1997-2001 | Visiting Assistant Professor of Film/Video, The Five Colleges, Inc., Amherst, MA. Joint appointment at Amherst & Mount Holyoke Colleges , Amherst, MA | ||
| 1995-1997 | Adjunct Faculty, Film and Video Departments, First Year Program and MFA Program, The School of the Art Institute of Chicago, Chicago, IL |